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Classical

Mouret: Sinfonies de Fanfare in D Major - 2. Air (1st movement of Suite No.2)

Provided to YouTube by Universal Music Group Mouret: Sinfonies de Fanfare in D Major - 2. Air (1st movement of Suite No.2) · Hannes Läubin · Wolfgang Läubin · Bernhard Läubin · Norbert Schmitt · Simon Preston Läubin / Preston - Awake the trumpets lofty sound ℗ 1986 Deutsche Grammophon GmbH, Berlin Released on: 1986-01-01 Producer, Executive Producer: Dr. Gerd Ploebsch Studio Personnel, Balance Engineer: Hans-Peter Schweigmann Producer, Executive Producer: Jürgen Bulgrin Producer, Executive Producer: Gregor Zielinsky Composer: Jean-Joseph Mouret Arranger, Work Arranger: Friedrich Held Auto-generated by YouTube.

Music

Hannes Läubin, Wolfgang Läubin, Bernhard Läubin, Norbert Schmitt, ノーベルト・シュミット, Simon Preston, サイモンプレストン, サイモン・プレストン, Läubin / Preston - Awake the trumpets lofty sound, 2. Air (1st movement of Suite No.2)

Brahms: Cello Sonata No. 2 in F Major, Op. 99 - II. Adagio affettuoso

Provided to YouTube by Universal Music Group Brahms: Cello Sonata No. 2 in F Major, Op. 99 - II. Adagio affettuoso · Mischa Maisky · Pavel Gililov Brahms: Cello Sonata No.1 in E Minor Op.38 ℗ 1999 Deutsche Grammophon GmbH, Berlin Released on: 1999-01-01 Producer: Christian Gansch Studio Personnel, Balance Engineer: Wolfgang Mitlehner Composer: Johannes Brahms Auto-generated by YouTube.

Music

Mischa Maisky, ミッシャマイスキー, ミッシャ・マイスキー, Pavel Gililov, ギリロフ, パーヴェル・ギリロフ, Brahms: Cello Sonata No.1 in E Minor Op.38, ブラームス：チェロ・ソナタダイイチニバン, ブラームス:チェロ・ソナタ第1番、第2番、他, II. Adagio affettuoso, チェロソナタダイ２バン: ２アダージョアッフェトゥオーソ

Haydn: The best symphonies

The best 12 symphonies (out of 104) by Joseph Haydn. 01. Symphony no.6 in D major ("Morning") 00:00 Adagio - Allegro Adagio - Andante - Adagio Menuet Finale: Allegro 02. Symphony no.22 in E flat major ("Philosopher") 23:36 Adagio Presto Menuet Finale: Presto 03. Symphony no.31 in D major ("Hornsignal") 43:06 Allegro Adagio Menuet Finale: Moderato Molto 04. Symphony no.44 in E minor ("Mourning") 01:09:41 Allegro con brio Menuet Adagio Finale: Presto 05. Symphony no.45 in F sharp minor ("Farewell") 01:33:22 Allegro assai Adagio Menuet Finale: Presto - Adagio 06. Symphony no.49 in F minor ("Passion") 01:59:44 Adagio Allegro Molto Menuet Presto 07. Symphony no.52 in C minor 02:23:50 Allegro assai con brio Andante Menuet Finale: Presto 08. Symphony no.82 in C major ("Bear") 02:46:17 Vivace assai Allegretto Menuet Finale: Vivace 09. Symphony no.88 in G major 03:12:17 Adagio - Allegro Largo Menuet Finale: Allegro con spirito 10. Symphony no.94 in G major ("Surprise") 03:32:54 Adagio - Vivace assai Andante Menuet Finale: Allegro molto 11. Symphony no.103 in E flat major ("Drumroll") 03:55:30 Adagio - Allegro con spirito Andante piu tosto allegretto Menuet Finale: Allegro con spirito 12. Symphony no.104 in D major ("London") 04:24:57 Adagio - Allegro Andante Menuet Finale: Spiritoso Philharmonia Hungarica, Antal Dorati

Music

haydn, joseph haydn, symphonies, classical music, morning symphony, farewell symphony, passion symphony, bear symphony, surprise symhpony, london symphony

Vivaldi: 12 Concertos, Op. 7

Composer: Antonio Vivaldi Artists: Pier Luigi Fabretti (oboe), Federico Guglielmo (concert master), L'Arte dell'Arco Tracklist below. Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/VivaldiOp7 More Information: https://www.brilliantclassics.com/articles/v/vivaldi-12-concertos-op7/ Brilliant Classics Spotify: https://open.spotify.com/user/brilliantclassics?si=HgGb_J0xS-avoQapy7XSHQ Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics After the enormous success of Vivaldi’s earlier collections La Stravaganza and L’Estro Armonico, his publisher Estienne Roger was eager to capitalise on the composer’s soaring popularity. With that in mind, Op.7 was published in 1720 containing 12 new concertos, ten for solo violin and two for solo oboe. However, it seems unlikely Vivaldi either authorised or approved of this publication, and recent research has even discovered that the authenticity of the concertos is doubtful, with at least the two oboe concertos certainly not by Vivaldi. The concertos may not bear the traditional Vivaldian hallmarks, with movements simplified or moved around, but they are still a worthy tribute to the composer, whether penned by the ‘Prete Rosso’ himself or not. Federico Guglielmo leads his experienced and lively ensemble L’Arte dell’Arco from the front. A highly acclaimed soloist, Guglielmo has been an active performer on the early music circle for many years, having played alongside such groups as the Academy of Ancient Music and the Handel & Haydn Society of Boston. This time he is joined by oboist Pier Luigi Fabretti, who has previously performed with Concerto Köln and I Barocchisti, among others. his new instalment of the complete recording of Vivaldi’s Op. 112 contains the 12 Violin Concertos Op. 7, published in Amsterdam in 1720. Prompted by the popular success of the previously published La Stravaganza and L’Estro Armonico Vivaldi wrote these concertos in the same vein: brilliant, dramatic, full of the vitality of Mediterranean life and colours. Played by the Italian Early Music group “L’Arte dell’Arco, led by violinist (and soloist) Federico Guglielmo. French magazine Diapason wrote about them: ”they understand the secret language of Vivaldi…rich and generous instrumental textures envelop the expressive lines of the solo violin…” 00:00:00 Violin Concerto in D Major, RV 208a: I. Allegro 00:04:27 Violin Concerto in D Major, RV 208a: II. Grave 00:05:47 Violin Concerto in D Major, RV 208a: III. Allegro 00:09:19 Violin Concerto in F Major, RV 294a: I. Allegro 00:12:22 Violin Concerto in F Major, RV 294a: II. Grave 00:13:54 Violin Concerto in F Major, RV 294a: III. Allegro 00:17:01 Violin Concerto in A Minor, RV 354: I. Allegro 00:19:55 Violin Concerto in A Minor, RV 354: II. Adagio 00:22:42 Violin Concerto in A Minor, RV 354: III. Allegro 00:25:45 Violin Concerto in C Major, RV 188: I. Allegro 00:28:58 Violin Concerto in C Major, RV 188: II. Largo 00:31:04 Violin Concerto in C Major, RV 188: III. Allegro 00:33:13 Violin Concerto in G Minor, RV 326: I. Allegro 00:36:01 Violin Concerto in G Minor, RV 326: II. Grave 00:38:02 Violin Concerto in G Minor, RV 326: III. Presto 00:39:45 Violin Concerto in B-Fflat Major, RV 374: I. Allegro 00:42:31 Violin Concerto in B-Fflat Major, RV 374: II. Largo 00:44:31 Violin Concerto in B-Fflat Major, RV 374: III. Allegro 00:47:06 Violin Concerto in D Major, RV 214: I. Allegro 00:49:39 Violin Concerto in D Major, RV 214: II. Grave assai 00:51:43 Violin Concerto in D Major, RV 214: III. Allegro 00:54:01 Violin Concerto in G Major, RV 299: I. Allegro 00:56:03 Violin Concerto in G Major, RV 299: II. Largo cantabile 00:57:28 Violin Concerto in G Major, RV 299: III. Allegro 00:59:25 Violin Concerto in B-Flat Major, RV 373: I. Allegro 01:02:51 Violin Concerto in B-Flat Major, RV 373: II. Grave spiccato 01:05:26 Violin Concerto in B-Flat Major, RV 373: III. Alla breve 01:09:04 Violin Concerto in F Major, RV 285a: I. Allegro 01:12:21 Violin Concerto in F Major, RV 285a: II. Grave 01:15:09 Violin Concerto in F Major, RV 285a: III. Allegro 01:17:55 Oboe Concerto in B-Flat Major, RV 465: I. Allegro 01:20:12 Oboe Concerto in B-Flat Major, RV 465: II. Adagio 01:21:55 Oboe Concerto in B-Flat Major, RV 465: III. Allegro 01:23:44 Oboe Concerto in B-Flat Major, RV 464: I. Allegro 01:26:25 Oboe Concerto in B-Flat Major, RV 464: II. Largo 01:28:07 Oboe Concerto in B-Flat Major, RV 464: III. Allegro

Music

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Vivaldi: Violin Concertos (Op. 11 & 12)

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more): https://brilliant-classics.lnk.to/VivaldiOP1112 Physical purchase: http://www.brilliantclassics.com/articles/v/vivaldi-violin-concertos-opp-11-12/ Artist: L'Arte dell'Arco , Federico Guglielmo (solo violin & concertmaster ), Pier Luigi Fabretti (oboe) With this new release, L’Arte dell’Arco complete their survey of the concertos and sonatas Opp. 1-12 which spread the fame of Antonio Vivaldi across Europe thanks to their publication by Etienne Roger in Amsterdam. These final two sets were published in 1729, 18 years after the L’estro armonico collection Op.2 had created a sensation with their unprecedented brilliance of solo writing, rhythmic vivacity and originality of disposition between solo and accompaniment. Federico Guglielmo contributes a scholarly note to the booklet, in which study of the manuscripts have uncovered new contexts to these concertos. Although it is uncertain how much Vivaldi supervised their publication, and to what degree they are compilations of earlier work, the concertos bear the hallmarks of the fully mature composer. By this time in his full maturity, Vivaldi was highly receptive to the appeal of the new galant taste, enriched by his experience with opera, and sensitive to discussion with acclaimed composers such as Leonardo Vinci, Nicola Porpora and Leonardo Leo. Two of them were likely written for one Anna Maria, a student of particular virtuoso abilities at the Ospedale della Pieta where Vivaldi was the long-serving music master. The final concerto of Op.11 was originally conceived as an oboe concerto, and in that form is presented here. 00:00:00 Violin Concerto No. 5 in C Minor, RV 202: I. Allegro non molto 00:04:47 Violin Concerto No. 5 in C Minor, RV 202: II. Largo 00:07:08 Violin Concerto No. 5 in C Minor, RV 202: III. Allegro non molto 00:11:06 Violin Concerto No. 4 in G Major, RV 308: I. Allegro 00:15:15 Violin Concerto No. 4 in G Major, RV 308: II. Largo cantabile 00:18:55 Violin Concerto No. 4 in G Major, RV 308: III. Allegro 00:22:44 Violin Concerto No. 2 in E Minor, RV 277 “il favorito”: I. Allegro 00:27:14 Violin Concerto No. 2 in E Minor, RV 277 “il favorito”: II. Andante 00:31:35 Violin Concerto No. 2 in E Minor, RV 277 “il favorito”: III. Allegro 00:36:00 Violin Concerto No. 3 in A Major, RV 336: I. Allegro 00:40:06 Violin Concerto No. 3 in A Major, RV 336: II. Aria andante 00:42:41 Violin Concerto No. 3 in A Major, RV 336: III. Allegro 00:46:02 Violin Concerto No. 1 in D Major, RV 207: I. Allegro 00:49:11 Violin Concerto No. 1 in D Major, RV 207: II. Largo 00:51:25 Violin Concerto No. 1 in D Major, RV 207: III. Allegro 00:54:03 Oboe Concerto No. 6 in G Minor, RV 460: I. Allegro non tanto 00:57:47 Oboe Concerto No. 6 in G Minor, RV 460: II. Largo 01:00:49 Oboe Concerto No. 6 in G Minor, RV 460: III. Allegro non molto 01:04:24 Violin Concerto No. 5 in B-Flat Major, RV 379: I. Allegro 01:08:08 Violin Concerto No. 5 in B-Flat Major, RV 379: II. Largo 01:10:58 Violin Concerto No. 5 in B-Flat Major, RV 379: III. Allegro 01:14:13 Violin Concerto No. 1 in G Minor, RV 317: I. Allegro 01:17:38 Violin Concerto No. 1 in G Minor, RV 317: II. Largo 01:21:20 Violin Concerto No. 1 in G Minor, RV 317: III. Allegro 01:24:19 Violin Concerto No. 4 in C Major, RV 173: I. Largo spiccato, allegro 01:28:30 Violin Concerto No. 4 in C Major, RV 173: II. Largo 01:30:36 Violin Concerto No. 4 in C Major, RV 173: III. Allegro 01:33:04 Violin Concerto No. 2 in D Minor, RV 244: I. Allegro 01:36:43 Violin Concerto No. 2 in D Minor, RV 244: II. Larghetto 01:39:26 Violin Concerto No. 2 in D Minor, RV 244: III. Allegro 01:42:02 Violin Concerto No. 6 in B-Flat Major, RV 361: I. Allegro 01:46:11 Violin Concerto No. 6 in B-Flat Major, RV 361: II. Largo 01:48:25 Violin Concerto No. 6 in B-Flat Major, RV 361: III. Allegro 01:52:28 Concerto for Strings No. 3 in D Major, RV 124: I. Allegro 01:54:41 Concerto for Strings No. 3 in D Major, RV 124: II. Grave 01:56:41 Concerto for Strings No. 3 in D Major, RV 124: III. Allegro

Music

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John Williams – Schindler's List, Magdalena Kruczała – violin, conducted by Andrzej Kucybała

Magdalena Kruczała – violin Andrzej Kucybała – conductor Stanisław Moniuszko School of Music Orchestra in Bielsko Biała, Poland 0:00 Intro 0:05 Theme from Schindler's List 3:59 Jewish Town (Kraków Ghetto – Winter'41) 7:42 Remembrances #JohnWilliams #SchindlersList #AndrzejKucybała

Music

John Williams, Schindlers List, Andrzej Kucybała

The Lord Of The Rings Orchestral Medley, 魔戒 Der Herr der Ringe, El señor de los Anillos, 반지의 제왕

Info: https://gr.afit.pl Zygmunt Nitkiewicz - conductor Symphony Orchestra of The Józef Marcin Żebrowski Music School in Częstochowa, Poland recorded at Czestochowa Philharmony Concert Hall, May 18, 2017 #LOTR #Soundtrack

Music

LOTR, Orchestral Medley, The Lord Of The Rings, Howard Shore, Symphony Orchestra

Ennio Morricone – Gabriel's Oboe from The Mission Maja Łagowska – oboe conducted by Andrzej kucybała

Info: https://gr.afit.pl Maja Łagowska - oboe Andrzej Kucybała - conductor Stanisław Moniuszko School of Music Orchestra in Bielsko Biała, Poland recorded at Stanisław Moniuszko School of Music Concert Hall 01 March, 2018 #Morricone #Mission #AndrzejKucybała

Music

morricone, the mission, gabriel's oboe, robert de niro

Mission: Impossible Theme 不可能的任務：全面瓦解ミッション:インポッシブルシリーズ \ मिशन: इम्पॉसिबल

Info: https://gr.afit.pl Miłosz Kula - conductor Jonathan S. Podmore - the Voice The Marcin J Żebrowski Music School Orchestra in Częstochowa, Poland recorded at Czestochowa Philharmony Concert Hall, May 29, 2018 #missionimpossible #TomCruise #Soundtrack

Music

Symphony orchestra, Mission Impossible, Lalo Schifrin

Williams: Indiana Jones / Sir Simon Rattle · Berliner Philharmoniker

Full-length concert: https://www.digitalconcerthall.com/concert/20456/?a=youtube&c=true John Williams: Indiana Jones (Raiders March) / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Waldbühne, 28 June 2015. The Berliner Philharmoniker's Digital Concert Hall: https://www.digitalconcerthall.com Subscribe to our newsletter: https://www.digitalconcerthall.com/newsletter Website of the Berliner Philharmoniker: http://www.berliner-philharmoniker.de

Music

Classical, Berliner Philharmoniker, Berlin Philharmonic, Berlin Phil, BPO, Orchestra, Orchester, Indiana Jones, John Williams

SUPERMAN Main Title by John Williams

SUPERMAN Main Title by John Williams TWILITE ORCHESTRA, conducted by Addie MS Aula Simfonia Jakarta, Indonesia

Music

Superman, John Williams, Twilite Orchestra, Addie MS, Symphony, Orchestra, Conducting, Conductor, Indonesia

Williams: Star Wars / Rattle · Berliner Philharmoniker

Full-length concert: https://www.digitalconcerthall.com/concert/20456/?a=youtube&c=true John Williams: Star Wars (Main Title) / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Waldbühne, 28 June 2015. The Berliner Philharmoniker's Digital Concert Hall: https://www.digitalconcerthall.com Subscribe to our newsletter: https://www.digitalconcerthall.com/newsletter Website of the Berliner Philharmoniker: http://www.berliner-philharmoniker.de

Music

Classical, Berliner Philharmoniker, Berlin Philharmonic, Berlin Phil, BPO, Orchestra, Orchester, Star Wars (Film Series), John Williams (Composer), Simon Rattle (Conductor), Krieg der Sterne, Berlin Philharmonic Orchestra (Conducted Ensemble)

John Williams & Vienna Philharmonic – Williams: Imperial March (from “Star Wars”)

John Williams & Vienna Philharmonic – Williams: Imperial March (from “Star Wars”) Discover “John Williams in Vienna”: http://dg.lnk.to/Williams John Williams’ movie soundtracks are among the best-loved of all time. Before a single note had been played at the Hollywood legend’s debut concert with the Vienna Philharmonic, Maestro Williams received a standing ovation. Their sensational performance of the “Imperial March” from “Star Wars” underlined the rapport and affection between orchestra and composer. “It was honestly one of the best presentations of that March I’ve ever heard”, Williams reflected afterwards. “They played it as though they owned it.” Deutsche Grammophon releases Williams’ historic Vienna Philharmonic debut concert in audio and video formats on August 14, 2020. “From Star Wars to Harry Potter – John Williams conducts Vienna Philharmonic” will be broadcast on ServusTV in Germany, Austria and Switzerland on Whit Monday, June 1, 2020 at 10 am and 10.15 pm CET. John Williams & Vienna Philharmonic – Williams: Imperial March (from “Star Wars”) Discover “John Williams in Vienna”: http://dg.lnk.to/Williams Subscribe here – The Best Of Classical Music: http://bit.ly/Subscribe_DG _______________ Find Deutsche Grammophon Online Homepage: http://deutschegrammophon.com Facebook: http://fb.com/deutschegrammophon Twitter: http://twitter.com/dgclassics Instagram: http://instagram.com/dgclassics Newsletter: http://deutschegrammophon.com/gpp/index/newsletter _______________ 최고의 클래식음악을 구독하세요: http://bit.ly/Subscribe_DG 最高のクラシック音楽―登録はこちら: http://bit.ly/Subscribe_DG 最优质古典音乐 – 此处订阅: http://bit.ly/Subscribe_DG Лучшая Классическая Музыка - Подписаться: http://bit.ly/Subscribe_DG La mejor música clásica - Suscríbase aquí: http://bit.ly/Subscribe_DG Le meilleur de la musique classique. Pour vous abonner cliquez ici: http://bit.ly/Subscribe_DG #MayThe4th #StarWars #JohnWilliams

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Theme (From "Jurassic Park")

Provided to YouTube by Universal Music Group Theme (From "Jurassic Park") · Wiener Philharmoniker · John Williams Theme ℗ 2020 Deutsche Grammophon GmbH, Berlin Released on: 2020-05-29 Producer, Studio Personnel, Editor, Mixer: Bernhard Guettler Studio Personnel, Recording Engineer: Tobias Lehmann Studio Personnel, Asst. Recording Engineer: Wolfgang Schiefermair Studio Personnel, Mastering Engineer: Christoph Stickel Orchestra: Wiener Philharmoniker Conductor: John Williams Composer: John Williams Auto-generated by YouTube.

Music

Wiener Philharmoniker, ウィーン・フィルハーモニー管弦楽団, 빈 필하모닉 오케스트라, ウィーンフィルハーモニーカンゲンガクダン, John Williams, Джон Уильямс, ジョン・ウィリアムズ, ジョンウィリアムズ, Theme, 쥬라기 공원 테마 'Theme'

Vaughan Williams: Fantasia on Greensleeves

Provided to YouTube by Universal Music Group Vaughan Williams: Fantasia on Greensleeves · Academy of St. Martin in the Fields · Sir Neville Marriner The World of Classical Favourites ℗ 1972 Decca Music Group Limited Released on: 1992-01-01 Producer: Michael Bremner Studio Personnel, Balance Engineer: Stanley Goodall Composer: Ralph Vaughan Williams Arranger, Work Arranger: Ralph Greaves Auto-generated by YouTube.

Music

Academy of St. Martin in the Fields, アカデミー・オブ・セント・マーティン・イン・ザ・フィールズ, 아카데미 오브 세인트 마틴 인 더 필즈, アカデミーオブセントマーティンインザフィールズ, Sir Neville Marriner, サー・ネヴィル・マリナー, 네빌 마리너 경, サーネヴィルマリナー, The World of Classical Favourites, クラシック名曲の世界, クラシックメイキョクノセカイ

Elsa plays "Frozen" by Vivaldi - Violin Concerto No. 4 in F minor, Op. 8, Winter from Four Seasons

Info: https://gr.afit.pl 0:00 Applause 00:45 Allegro nono molto 04:38 Largo 07:01 Allegro Karolina Podorska - violin Andrzej Kucybała - conductor Stanisław Moniuszko School of Music Orchestra in Bielsko Biała, Poland La Folle Journee de Varsovie recorded at Polish National Opera in Warsaw, 27 september 2016 Ospedale della Pietà #Vivaldi #TeatrWielkiOperaNarodowa #AndrzejKucybała

Music

Vivaldi, Winter, Teatr Wielki Opera Narodowa

Antonio Vivaldi - "Summer" Violin Concerto No. 2 in G minor, Four Seasons, Ospedale della Pietà

Info: https://gr.afit.pl 0:00 Applause 00:54 Allegro non molto 06:37 Adagio e piano - Presto e forte 08:43 Presto Agnieszka Uścińska - violin Andrzej Kucybała - conductor Stanisław Moniuszko School of Music Orchestra in Bielsko Biała, Poland La Folle Journee de Varsovie recorded at Polish National Opera House in Warsaw, 27 september 2016 #Summer #Vivaldi #AndrzejKucybała

Music

Vivaldi, Summer, Teatr Wielki Opera Narodowa

Mussorgsky / Ravel – Pictures at an Exhibition conducted by Maciej Tomasiewicz Teatr Wielki Opera

Maciej Tomasiewicz - conductor The Karol Szymanowski Youth Symphony Orchestra in Katowice, Poland recorded 28th September in Teatr Wielki – Polish National Opera during La Folle Journée de Varsovie 2019 “Travel Diaries” festival 0:25 Promenade 1:55 The Gnome 4:28 Promenade 5:29 The Old Castle 10:22 Promenade 10:49 Tuileries (Children's Quarrel after Game) 11:55 Cattle 14:43 Promenade 15:30 Ballet of Unhatched Chicks 16:50 Samuel Goldenberg and Schmuyle 18:59 Limoges. The Market (The Great News) 20:32 Catacombs (Roman Tomb) 22:00 With the Dead in a Dead Language 23:52 The Hut on Hen's Leg (Baba Yaga) 27:21 The Great Gate of Kiev #MaciejTomasiewicz #Mussorgsky #PicturesAtAnExhibition

Music

Mussorgsky, Tomasiewicz, Pictures at an Exhibition

Rimsky-Korsakov - Scheherazade, Шехеразада, شهرزاد 舍赫拉查达, Maciej Tomasiewicz, Filharmonia Śląska

0:00 Applause 0:39 The Sea and Sinbad's Ship 10:38 The Legend of The Kalendar Prince 21:53 The Young Prince and The Young Princess 31:46 Festival at Baghdad. The Sea. The Ship Breaks against a Cliff Surmounted by a Bronze Horseman Maciej Tomasiewicz - conductor The Karol Szymanowski Youth Symphony Orchestra in Katowice, Poland recorded at Silesian Philharmonic Concert Hall in Katowice, Poland, 6th June 2019 #Scheherazade #RimskyKorsakov #MaciejTomasiewicz

Music

Scheherazade, Rimsky-Korsakov, Tomasiewicz

Let it go(겨울왕국)_ by KOREAN POPS ORCHESTRA(코리안팝스오케스트라)

Let it go(겨울왕국) by KOREAN POPS ORCHESTRA(코리안팝스오케스트라) 2014.8.21. 코오롱야외음악당 [촬영_MPS]

Music

코리안팝스오케스트라, 코리안, 팝스, 오케스트라, KOREAN, POPS, ORCHESTRA, 예술감독, ARTISTIC, DIRECTOR

《冰雪奇緣》Let It Go、アナと雪の女王、Frozen、겨울왕국、Холодное сердце

2014台中一中校友團天籟國樂《冰雪奇緣》指揮/廖浩慶台北國家音樂廳

Music

Bohemian Rhapsody for Symphony Orchestra and Solo Viola - THE STUDIO RECORDING

(Original hit video: http://youtu.be/w0cLEvdyolw) To Freddie, with much affection and admiration... NICHOLAS HERSH, arranger/conductor SARAH HARBALL, solo viola PATRICK HUNNINGHAKE, lead trumpet with THE INDIANA UNIVERSITY STUDIO ORCHESTRA Filmed & recorded in Studio 5, Indiana University Radio-Television Building SAM SILVER, director KONRAD STRAUSS, sound director A collaboration between Indiana University Jacobs School of Music and Department of Telecommunications. Many thanks to John Walsh & the TelCom team, Konrad Strauss & the Recording Arts team, and all the brilliant musicians of this IU Studio Orchestra!

Music

Queen, Classical, Bohemian, Bohemian Rhapsody, Freddie Mercury, Symphony, Orchestra, Viola, Rock, Queen (band), Rock Music (Musical Genre), Nicholas Hersh

James Bond 007 जेम्स बॉण्ड ジェームズ・ボンド Orchestral Medley, No Time to Die Tribute Performance

Info: https://gr.afit.pl 0:00 Applause 0:20 James Bond Main Theme by Monty Norman 1:39 For Your Eyes Only by Bill Conti 3:39 Goldfinger by John Barry 4:41 Live and Let Die by Paul & Linda McCartney 6:22 The Spy Who Loved Me - Nobody Does it Better by Marvin Hamlisch Andrzej Kucybała (007) - conductor Stanisław Moniuszko School of Music Orchestra in Bielsko Biała, Poland recorded at Stanisław Moniuszko School of Music Concert Hall 24 February, 2017 #Bond #AndrzejKucybała #NoTimetoDie

Music

Bond, James Bond, 007

Pirates of the Caribbean (Auckland Symphony Orchestra) 1080p

Klaus Badelt - Music from the Pirates of the Caribbean soundtrack, performed by the Auckland Symphony Orchestra, conducted by Gary Daverne. From the concert "Organ Symphony" recorded November 2012 at the Auckland Town Hall

Music

aso, auckland, symphony, orchestra, Pirates Of The Caribbean: Dead Man's Chest (Film), Pirates Of The Caribbean: At World's End (Film), Pirates Of The Caribbean (Fictional Universe), Pirates Of The Caribbean: The Curse Of The Black Pearl (Film), organ symphony, pirates, caribbean, 2012, 1080p, Hans Zimmer (Record Producer), Klaus Badelt (Record Producer), soundtrack

Mission Impossible (不可能的任務) - 久石讓

PS: 假如上傳的影片有侵權,敬請先告知! 我會馬上刪除的 ! PS: If the upload movie infringement please tell ! I'll remove it ! 原版權屬於日本 BS朝日 Original copyright belongs to the Japanese BS Asahi

Music

CHJ, 久石讓, 不可能的任務, Mission Impossible, Tom Cruise, 湯姆·克魯斯

Pirates Of The Caribbean パイレーツオブカリビアン पाइरेट्स ऑफ द कैरेबियन 加勒比海盗 conducted by Tomasz Chmiel

Info: https://gr.afit.pl 3rd Polish Nationwide Music Schools' Symphonic Orchestras Competition Tomasz Chmiel - conductor, Young Cracow Philharmonic recorded at Cracow Philharmonic Concert Hall, May 31, 2015 #PiratesOfTheCarribbean #TomaszChmiel #FilharmoniaKrakowska

Music

Klaus Badelt (Composer), Pirates Of The Caribbean (Film Series), Tomasz Chmiel

Beethoven – Moonlight Sonata 3rd Movement

L. v. Beethoven – Piano Sonata No.14 “Moonlight” in C sharp minor, Op.27-2 III Movement : Presto Agitato (Moonlight Sonata 3rd Movement) Thanks for watching. I hope you enjoy my music :) I’m going to show various piano music including classical pieces. 🌸Don't forget to subscribe, like and comments! 🔔I will upload new movies every Monday.🔔 Please leave comments if there are pieces which you want to listen to :) 💕Facebook: https://www.facebook.com/pianistkassia 💕Instagram: https://www.instagram.com/kassiapiano 💕Buy me a coffee: https://www.buymeacoffee.com/Z4KCvsNqU #Beethoven #moonlight #3rd #sonata

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Paganini/Liszt - La Campanella

N. Paganini / F. Liszt - La Campanella Thanks for watching. I hope you enjoy this piece :) I’m going to play various piano pieces including classical. 🌸Don't forget to like, comment and subscribe! 🔔I will upload new videos every Monday.🔔 Please leave a comment if there are pieces which you want to play/listen to :) 💕Facebook: https://www.facebook.com/pianistkassia 💕Instagram: https://www.instagram.com/kassiapiano 💕Buy me a coffee: https://www.buymeacoffee.com/Z4KCvsNqU #lacampanella #liszt #etude #piano

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La campanella, liszt, liszt la campanella, etude no.3, etude 3, paganini, paganini etude, Paganini etude 3, piano, Kassia, piano cover, led, visualizer, synthesia, classical, female classical pianists, female pianist

Williams: Indiana Jones / Sir Simon Rattle · Berliner Philharmoniker

Music

Classical, Berliner Philharmoniker, Berlin Philharmonic, Berlin Phil, BPO, Orchestra, Orchester, Indiana Jones, John Williams

Vangelis – Conquest of Paradise conducted by Andrzej Kucybała

Andrzej Kucybała – conductor Stanisław Moniuszko School of Music Orchestra in Bielsko Biała, Poland #AndrzejKucybała #Vangelis #ConquestOfParadise

Music

Andrzej Kucybała, Vangelis, Conquest of Paradise

🎻[클래식 입문 1~7 전곡감상] 쉬운 클래식 (입문편 전곡감상 80분연속) : 바흐,비발디,모차르트,베토벤,쇼팽,에릭사티,크라이슬러,드뷔시,오펜바흐,차이코프스키 집중력,공부,태교

🎧클래식 입문자를 위한 시리즈는 【초급】-【중급】-【고급】 각 (7단계)로 세분화 되어 있습니다. 각 LEVEL로 보시면 단계별로 해설(자막)과 함께 감상 하실 수 있습니다. 바흐,비발디,모차르트,베토벤,쇼팽,에릭사티,크라이슬러,드뷔시,오펜바흐,차이코프스키 00:05 바흐-프렐류드 1번 02:16 베토벤 - 엘리제를 위하여 04:52 모차르트 - 피아노소나타 16번 1악장 08:10 비발디 - 사계 중 '여름' 3악장 10:57 모차르트 - 아이네 클라이네 나흐트 뮤직 16:49 바흐 - G선상의 아리아 19:10 비제 - 카르멘 모음곡 중 '하바네라' 21:14 쇼팽 - 에튀드 '이별의 노래' 25:14 베토벤 - '월광소나타' 피아노소나타 14번 1악장 30:32 엘가 - 사랑의 인사 33:17 모차르트 - '터키 행진곡' 피아노소나타 11번 36:55 차이코프스키 - 꽃의 왈츠 43:56 드뷔시 - 달빛 49:18 오펜바흐 - 캉캉 51:14 에릭사티 - 짐노페디 54:39 크라이슬러 - 사랑의 슬픔 57:16 쇼팽 - 강아지 왈츠 1:00:05 바흐 - 토카타 & 푸가 1:03:15 비제 - 카르멘 모음곡 No.1 6번 '투우사' 1:05:33 모차르트 - 작은별 변주곡 -------------------------------------------------------------------------------------------------------- 🎶 입문 1단계(LEVEL 1) 단계별로 들으시면 (해설자막)을 보실 수 있습니다. # STEP-1 (1단계)https://youtu.be/XULT8M4BShA # STEP-2 (2단계) https://youtu.be/r_3IELvyyeo # STEP-3 (3단계) https://youtu.be/HVcd87RU4_U # STEP-4 (4단계) https://youtu.be/Hyzv9dCDmSc # STEP-5 (5단계) https://youtu.be/WYk16UBnBs0 # STEP-6 (6단계) https://youtu.be/XUtyTBdcaPs # STEP-7 (7단계) https://youtu.be/4IHYdAi_baY 🎶 중급 단계(LEVEL 2) 단계별로 들으시면 (해설자막)을 보실 수 있습니다. # STEP-1 (1단계) https://youtu.be/_4CZ8t2phSc # STEP-2 (2단계) https://youtu.be/12QlnrjPAdM # STEP-3 (3단계) https://youtu.be/glhw4qf_tp8 # STEP-4 (4단계) https://youtu.be/tCRrvd5WY1w # STEP-5 (5단계) https://youtu.be/SsQjFpjuvcQ # STEP-6 (6단계) https://youtu.be/qTAnnMBYckU # STEP-7 (7단계) https://youtu.be/SHBnW76eoyY 🎶 (LEVEL 3) 고급 단계별로 들으시면 (해설자막)을 보실 수 있습니다 # STEP-1 https://youtu.be/EKG_HfxEEoU # STEP-2 https://youtu.be/FqAU_2IUhME # STEP-3 https://youtu.be/2chPXWlbTQE # STEP-4 https://youtu.be/FMi0cbewJlI # STEP-5 https://youtu.be/nPG33iHiSC8 # STEP-6 https://youtu.be/wmacxD_Q-1I # STEP-7 https://youtu.be/gT-aPmtdl3Q -------------------------------------------------------------------------------------------------------- 💯 1~7단계까지 오시느라 수고하셨습니다.~ 클래식입문 시리즈 1~7편까지를 감상하신후 아래 문제를 풀어 보내주시면 성적 우수자에게 '클래식입문 수료증'📜을 메일로 보내드립니다 🎵클래식 수능평가🎵 【입문1】 1. 바하 프렐류드 1번의 끝날 때 마지막 음은 몇 음이었을까요? 1) 1음 2)5 음 3) 20음 4) 100음 2. 5분14초에 나오는 자막의 빈칸에 들어갈 단어는 무엇일까요? “수많은 피아니스트들이 말하는 모차르트곡 연주의 ( ) 하나는 ” 1) 어려움 2) 짜증나는 것 3) 지루함 4) 까다로움 【입문2】 3. 비발디 사계중 어느 계절의 음악일까요? 1) 봄 2) 여름 3) 가을과 겨울사이 4) 겨울 4. 바흐의 g선상의 아리아의 g는 어떤 계이름을 말하는것일까요? 1) 라 2) 솔 3) 파 4) 도 【입문3】 5. 카르멘 모음곡중 하바네라를 작곡한 사람은? 1) 베토벤 2) 윤이상 3) 바하 4) 비제 6. 베토벤 피아노 소나타의 제목은 무엇으로 불리고 있을까요? 1) 비창 소나타 2) 열정소나타 3) 월광 소나타 4) 팔광 소나타 【입문4】 7. 엘가의 사랑의 인사‘를 연주하는 악기는? 1) 큰북 2) 바이올린 3) 리코더 4) 캐스터네츠 8. 차이코프키‘꽃의 왈츠’는 어느 모음곡에 나오는 곡일까요? 1) 호두까기 인형 2) 피터와 늑대 3) 아몬드 까기 인형 4) 동물의 사육제 【입문5】 9. 쇼팽의 피아노곡 ( )전주곡에서 표현하고 있는 것은? 1) 우박 2) 모래 3) 미세먼지 4) 빗방울 10. 6분 10초부터 연주 되는 드뷔시의 작품 제목은 무엇일까요? 1) 햇빛 2) 달빛 3) 별빛 4) 낯빛 【입문6】 11. 에릭사티 ‘짐노페디’에 나오는 연주 되는 악기의 숫자는? 1)1 개 2) 4개 3) 12개 4) 52개 12. 쇼팽의 강아지 왈츠는 몇박자의 곡일까요? 1) 4/1 2) 4/3 3) 4/4 4) 2/4 【입문7】 13. 바하의 토카타와 푸가 in ( ) minor 들어갈 알파벳은 무엇일까요? 1) A 2) B 3) C 4) D 14. 비제의 카르멘의 배경이 되는 나라는? 1) 알제리 2) 하와이 3) 스페인 4) 남극 💯답안 보내는 곳 http://1mclassic.com/wrps/?page_id=3424 ----------------------------------------------------------------------------------------------------------------------- ▼The Best of Classical music (클래식 모음곡): https://www.youtube.com/playlist?list=PLD5M-g6b2MiNJBRy_b6UfPHnyGCGO1dY- ---------------------------------------------------------------------------------------------- ▼RIVALS of Classical music (라이벌 비교감상): https://www.youtube.com/playlist?list=PLD5M-g6b2MiMJj11eYvbNhw3O1s8oqaLM ---------------------------------------------------------------------------------------------- ▼Classical music BEST 100 (클래식 100 시리즈): https://www.youtube.com/playlist?list=PLD5M-g6b2MiM_s_DcGdXn8yQMLvqgEQO_ ▼ About 1mClassic 💜일미터클래식은 '가까운 거리에서 클래식의 감동'을 주는 다양한 클래식프로그램과 우리가 몰랐던 명화 속 숨겨진 이야기들을 함께 풀어가는 [그림읽어주는베토벤] 프로그램등 다양한 컨텐츠를 제작하고 있습니다. 네이버&유튜브 채널을 통해서 [클래식 읽어주는 라디오], [귀로 듣는 미술관] 등 프로그램을 진행하고 있으며 유치원,초,중,고 학생들을 위한 온라인 예술교육프로그램을 제작 지원하고 있습니다. 💿 Free Download Music https://lifenart.tistory.com/category/FreeMusic 🎵 Homepage http://1mclassic.com/wrps/ 👥 Instargram https://www.instagram.com/1mclassic/ ⭐ Contact Us | 02)766-7623 📩 playingcenter@hanmail.net 🔔 DUSON Classic Entertainment© 2002 1m Studio 💿 Music Credit license : musopen.org 💿 일미터스튜디오에서 제작한 저작물은 사전 동의가 필요합니다. #클래식명곡 #집중력 #쉬운클래식

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Karl Jenkins – Palladio, conducted by Andrzej Kucybała

Aleksandra Domarecka, Magdalena Kruczała – violin Andrzej Kucybała – conductor Stanisław Moniuszko School of Music Orchestra in Bielsko Biała, Poland 0:00 Intro 0:08 Allegretto 4:11 Largo 10:08 Vivace #AndrzejKucybała #KarlJenkins #Palladio

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Paganini: Complete Violin Concertos

Tracklist below. Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/PaganiniViolinConcertos More Information: https://www.brilliantclassics.com/articles/p/paganini-violin-concertos-complete/ Brilliant Classics Spotify: https://open.spotify.com/user/brilliantclassics?si=HgGb_J0xS-avoQapy7XSHQ Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics Among the most revered virtuosos of all time, Nicolò Paganini was a true musical legend of his era, inspiring musicians such as Robert Schumann to forge his own career as a pianist. Franz Schubert was also a regular audience member at Paganini’s concerts, despite the outlandish ticket prices. Paganini often remarked that, despite his legendary status as a violinist, he found it rather difficult to compose for the instrument. This release presents Paganini's complete violin concertos, performed by violinist Alexandre Dubach accompanied by the Orchestre Philharmonique de Monte-Carlo. Composer: Nicolò Paganini Artist: Alexandre Dubach (violin) Orchestre Philharmonique de Monte-Carlo Michel Sasson (conductor) Lawrence Foster (conductor) 00:00:00 Violin Concerto No. 4 in D Minor: I. Allegro maestoso 00:16:44 Violin Concerto No. 4 in D Minor: II. Adagio flebile con sentimento 00:23:25 Violin Concerto No. 4 in D Minor: III. Rondo galante. Andantino gaio 00:34:10 Violin Concerto No. 1 in D Major, Op. 6: I. Allegro maestoso 00:54:15 Violin Concerto No. 1 in D Major, Op. 6: II. Adagio espressivo 00:59:28 Violin Concerto No. 1 in D Major, Op. 6: III. Rondo: allegro spirituoso 01:09:08 Violin Concerto No. 3 in E Major: I. Introduzione. Andantino - Allegro marziale 01:26:57 Violin Concerto No. 3 in E Major: II. Adagio. Cantabile spianato 01:34:13 Violin Concerto No. 3 in E Major: III. Polacca. Andantino vivace 01:46:22 Violin Concerto No. 6 in E Minor: I. Risoluto 02:07:04 Violin Concerto No. 6 in E Minor: II. Adagio 02:13:59 Violin Concerto No. 6 in E Minor: III. Rondo ossia polonese 02:25:27 Violin Concerto No. 5 in A Minor: I. Allegro maestoso 02:44:27 Violin Concerto No. 5 in A Minor: II. Andante un poco sostenuto 02:53:03 Violin Concerto No. 5 in A Minor: III. Rondo 03:03:37 Violin Concerto No. 2 in B Minor, Op. 7: I. Allegro maestoso 03:19:05 Violin Concerto No. 2 in B Minor, Op. 7: II. Adagio 03:26:05 Violin Concerto No. 2 in B Minor, Op. 7: III. Ronde à la clochette

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Leo Rojas Pan flute | Leo Rojas Greatest Hits Full Album 2017 | Top Songs Of Leo Rojas

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Best Of Ocarina - The complete collection

The Best Ocarina Melodies for relaxing

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Top 50 Best Classical Piano Music

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): https://brilliant-classics.lnk.to/Top50BestPianoClassics Social Media: Facebook: https://brilliant-classics.lnk.to/Facebook Instagram: https://brilliant-classics.lnk.to/Instagram YouTube: https://brilliant-classics.lnk.to/YouTube Spotify Playlists: Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic The best of Liszt: https://brilliant-classics.lnk.to/Playliszt The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime Artists: Misha Goldstein Klára Würtz Håkon astbø Tracklist: 00:00:00 Liebesträume, S. 541: III. Oh Lieb, so lang du lieben kannst - Franz Liszt 00:04:36 Lieder ohne Worte, Op. 19b: I. Andante con moto - Felix Mendelssohn 00:08:29 Nocturne in B-Flat Minor, Op. 9 No. 1 - Frédéric Chopin 00:13:54 4 Impromptus, D. 935, Op. 142: III. Impromptu in B-Flat Major "Rosamunde" - Franz Schubert 00:25:49 Klavierstücke, Op. 76: IV. Intermezzo. Allegretto grazioso - Johannes Brahms 00:28:22 4 Impromptus, D. 935: II. Impromptu in A-Flat Major - Franz Schubert 00:34:54 6 Lieder, Op. 57: V. Venetianisches Gondellied - Felix Mendelssohn 00:37:59 Intermezzo in E-Flat Major, Op. 117 No. 1 - Johannes Brahms 00:43:20 Intermezzo in B-Flat Minor, Op. 117 No. 2 - Johannes Brahms 00:48:12 Consolation in E-Flat Major, S. 172 - Franz Liszt 00:51:33 Piano Sonata No. 14, Op. 27 No. 2: II. Allegretto - Ludwig van Beethoven 00:57:13 Lieder ohne Worte, Op. 62: VI. Allegretto grazioso "Frühlingslied" - Felix Mendelssohn 00:59:33 Deux Arabesques, L. 66: I. Première Arabesque - Claude Debussy 01:03:43 Moments musicaux, D. 780, Op. 90: IV. Moderato - Franz Schubert 01:05:23 Sonate Pathetique, Op. 13: II. Adagio - Ludwig van Beethoven 01:10:07 Für Elise, WoO 59 - Ludwig van Beethoven 01:12:58 Klavierstück in E-Flat Major, D. 946, No. 2 - Franz Schubert 01:24:07 Intermezzo in A Major, Op. 118, No. 2 - Johannes Brahms 01:30:29 Deux Arabesques, L. 66: Deuxième Arabesque - Claude Debussy 01:33:35 Fantasiestücke, Op. 12: I. Des Abends - Robert Schumann 01:36:59 4 Impromptus, D. 899, Op. 90: III. Impromptu in G-Flat Major - Franz Schubert 01:42:15 Rêverie, L. 68 - Claude Debussy 01:45:59 3 Romances, Op. 28: II. Romanze in F-Sharp Major - Robert Schumann 01:49:21 Sonate in B Minor, Kk. 27 - Domenico Scarlatti 01:54:49 Consolation in D-Flat Major, S. 172 - Franz Liszt 01:57:14 Clair de Lune, L. 32 - Claude Debussy 02:02:13 Träumerei, Op. 15 No. 7 - Robert Schumann 02:05:25 Prelude in D-Flat Major, Op. 28 No. 15, "Regentropfen" - Frédéric Chopin 02:10:12 Nocturne in E-Flat Major, Op. 9 No. 2 - Frédéric Chopin 02:14:30 16 Waltzes, Op. 39: No. 15, Waltz in A-Flat Major "Lullaby" - Johannes Brahms 02:16:08 Piano Sonata No. 11 in A Major, K. 331: III. Alla Turca. Allegretto - Wolfgang Amadeus Mozart 02:19:35 Lieder ohne Worte, Op.67: IV. Spinnerlied in A Major. Presto - Felix Mendelssohn 02:21:38 Lyric Pieces, Op. 12: IV. Dance of the Fairies - Edvard Hagerup Grieg 02:22:33 Lyric Pieces, Op. 38: I. Berceuse - Edvard Hagerup Grieg 02:24:50 Lyric Pieces, Op. 43: I. Butterfly -Edvard Hagerup Grieg 02:26:27 Lyric Pieces, Op. 54: III. March of the Dwarfs - Edvard Hagerup Grieg 02:29:22 Waltzes, Op. 64: No. 1, Waltz in D-Flat Major "Minute Waltz" - Frédéric Chopin 02:31:06 Sonate facile in C Major, K. 545: I. Allegro - Wolfgang Amadeus Mozart 02:34:28 3 Gymnopédies: No. 1, Lent et douloureux - Erik Satie 02:38:07 Gnossiennes Nos. 4-6: Gnossienne No. 5 - Erik Satie 02:40:59 Nocturne in C-Sharp Minor Op. Posth. - Frédéric Chopin 02:45:02 Etudes in E Major Op. 10: III. “Tristesse” - Frédéric Chopin 02:49:32 2 Konzertetüden, S.145: No. 1 in A-Flat Major “Waldesrauschen“ - Franz Liszt 02:53:39 Impromptu No. 1 in A-Flat Major, Op. 29 - Frédéric Chopin 02:57:26 The Seasons, Op. 37a: No. 10, October. Autumn Song in D Minor. Andante doloroso e molto cantabile - Piotr Ilyich Tchaikovsky 03:00:50 Pavane pour une infante défunte in G Major, M. 19 - Maurice Ravel 03:07:15 Waldszenen, Op. 82: No. 7, Vogel als Prophet - Robert Schumann 03:10:06 Ballade No. 3 in A-Flat Major, Op. 47 - Frédéric Chopin 03:17:29 8 Klavierstücke, Op. 76: No. 2, Capriccio in B Minor. Allegretto non troppo - Johannes Brahms 03:21:11 Fantasie Impromptu No. 4 in C-Sharp Minor, Op. 66 - Frédéric Chopin Artist: Misha Goldstein Klára Würtz Håkon astbø

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♫ Música Clássica para estimular o cérebro | Efeito Mozart

Video Original (canal "HALIDONMUSIC)": https://www.youtube.com/watch?v=7JmprpRIsEY Se você gosta de ler sobre psicologia, autoconhecimento e relacionamentos, acesse o meu blog: https://cardoseando.blogspot.com.br/2013/09/tesouro.html

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Classical Music for Studying & Brain Power | Mozart, Vivaldi, Tchaikovsky...

🎵 Buy the MP3 album on the Official Halidon Music Store: http://bit.ly/2PbYtYL 🎧 Listen to our playlist on Spotify: http://bit.ly/BrainPowerClassicalMusic 💿 Order “Music for Reading” (2CDs) on Amazon: IT: https://amzn.to/2IJM7Bk FR: https://amzn.to/2GMDSm9 DE: https://amzn.to/2LqivKX ES: https://amzn.to/2GLtivN UK: https://amzn.to/2KPoyHL USA: https://amzn.to/2T3mIXQ CA: https://amzn.to/2RTmFB3 MEX: https://amzn.to/2SXBCPW 💿 Order “Music for Reading” (2CDs) on eBay: http://bit.ly/2BBFmzD These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact info@halidononline.com 🔔 Subscribe to our channel: http://bit.ly/YouTubeHalidonMusic 👥 Like us on Facebook: https://www.facebook.com/halidonmusic CLASSICAL MUSIC FOR STUDYING & BRAIN POWER Mozart, Vivaldi, Tchaikovsky... 1 TELEMANN - Viola Concerto in G Major, TWV 51:G9: I. Largo 00:00 2 TELEMANN - Viola Concerto in G Major, TWV 51:G9: IV. Presto 03:33 3 STAMITZ - Sinfonia Concertante in D Major: II. Romanza 06:38 4 LITVINOVSKY - Suite for Strings “Le Grand Cahier”: I. La Foret et la Riviere 13:13 5 LITVINOVSKY - Suite for Strings “Le Grand Cahier”: VI. Le Bain 15:59 6 LITVINOVSKY - Suite for Strings “Le Grand Cahier”: VIII. Theatre 18:12 7 TCHAIKOVSKY - Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia 20:54 8 TCHAIKOVSKY - Serenade for Strings, Op. 48: II. Valse 28:51 9 MENDELSSOHN - Songs Without Words, Book 1, Op. 19b: No. 1, Andante con moto 32:37 10 MOZART - Flute and Harp Concerto in C Major, K. 299: II. Andantino 36:27 11 CORELLI - Concerto Grosso No. 1 in D Major, Op. 6: I. Largo 44:36 12 VIVALDI - String Concerto in G Minor, RV 152: II. Andante molto 47:33 13 VIVALDI - Concerto for Strings & Continuo in C Major, RV 113: II. Grave 49:23 14 SCHUMANN - Kinderszenen, Op. 15: No. 7, Träumerei 51:09 15 CORELLI - Concerto Grosso No. 9 in F Major, Op. 6 I. Preludio. Largo 54:08 II. Allemanda. Allegro 56:16 III. Corrente. Vivace 59:11 IV. Gavotta. Allegro 1:01:05 16 SIBELIUS - Andante Festivo 1:02:09 17 SAINT-SAENS - The Carnival of the Animals: XIII, The Swan 1:06:15 18 TRAD. - Greensleves (with variations) 1:08:54 19 PUCCINI - Tosca: Vissi d’Arte (instrumental version) 1:12:22 20 MENDELSSOHN - Songs Without Words, Book 2, Op. 30: No. 6, Venetian Boat Song 1:15:01 21 SCHUBERT - Four Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major (Live Recording) 1:18:34 22 GRIEG - Holberg Suite, Op. 40 II. Sarabande 1:24:41 III. Gavotte 1:28:23 23 VIVALDI - The Four Seasons, Concerto No. 4, RV 297 "Winter": II. Largo 1:31:37 24 VIVALDI - The Four Seasons, Concerto No. 1, RV 269 "Spring": II. Largo e pianissimo sempre 1:33:35 25 TCHAIKOVSKY - The Seasons, Op. 37b No. 1, January. By the Fireside 1:35:58 No. 6, June. Barcarolle 1:41:17 26 PROKOFIEV - Suite No. 2 from Romeo and Juliet, Op. 64ter: No. 3, Friar Laurence 1:46:33 27 VERDI - Un Ballo in Maschera: Saper vorreste (instrumental version) 1:48:42 28 MOZART - Le Nozze di Figaro: Voi che sapete (instrumental version) 1:50:48 29 GALUPPI - Piano Sonata No. 5 in C Major: I. Andante (Live Recording) 1:53:02 30 MOZART - Rondò in D Major, K. 485 (Live Recording) 1:58:14 1, 2, 3: Giovanni Antonioni (viola), Warmia Symphony Orchestra, Silvano Frontalini 4-6, 8, 16, 22, 26: Metamorphose String Orchestra 7: Wroclaw Symphonic Orchestra, Natalia Ponomarchuk 9, 14, 20, 21, 25, 29, 30: Vadim Chaimovich (solo piano) 10: Opole Philarmonic Orchestra, Silvano Frontalini, Ursula Mazurek 11 & 15: Kiev Chamber Orchestra, Liviu Buiuc 12, 13: Kaunas Chamber Orchestra, Marek Tracz (12), Silvano Frontalini (13) 17: Sarah Joy (cello), Kathy Hohstadt (piano) 18: Duo.Hansen: Julia (violin) and Adam (cello) 19: Ukrainian Philharmonic Orchestra, Silvano Frontalini 23, 24: Yuliya Lebedenko (violin), Metamorphose String Orchestra, Pavel Lyubomudrov 27, 28: Moldavian Symphony Orchestra, Silvano Frontalini Thank you so much for watching this video by Halidon Music channel, we hope you enjoyed it! Don't forget to share it and subscribe to our channel http://bit.ly/YouTubeHalidonMusic All the best classical music ever on Halidon Music Youtube Channel: The Best Classical Music Playlist Mix, The Best Classical Music For Studying, Classical Music For Reading, Classical Music For Concentration, Classical Music for Sleeping and Relaxation, Instrumental Music, Background Music, Opera, Piano, Violin & Orchestral Masterpieces by the greatest composers of all time. The very best of Mozart, Beethoven, Bach, Chopin, Tchaikovsky, Vivaldi, Schubert, Handel, Liszt, Haydn, Strauss, Verdi, Brahms, Wagner, Mahler, Rossini, Ravel, Grieg, Dvorák… #classicalmusic #classical #musicforreading #classicalmusicforstudying

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Relaxing Jazz Piano Radio - Slow Jazz Music - 24/7 Live Stream - Music For Work & Study

Please Subscribe! https://www.youtube.com/user/cafemusicbgmchannel 📝 Music For Business「BGMC Station」 English: https://bgmc-station.com/en/ JAPANESE: https://bgmc-station.com 繁體中文: https://bgmc-station.com/tc/ Español: https://bgmc-station.com/es/ 한국어: https://bgmc-station.com/ko/ You can use this music at your restaurants, shops, hospitals, offices, parties, etc.. Try free for 14 days. 💿 New Release 〜 Streaming Service & Buy Music 〜 If you listen to this music on Streaming Services, please use Shazam to find out if the music has been released. * If you can't find the music, even if you use Shazam, the music is not released at the store. Sorry. ▼ Cafe Music BGM channel Apple Music: https://itunes.apple.com/jp/artist/cafe-music-bgm-channel/1028904635 Spotify: https://open.spotify.com/artist/3yKoHgjtyenCOIRaD2Gghu Amazon Music: https://music.amazon.co.jp/artists/B013O0GB9G ▼ BGM channel Apple Music: https://itunes.apple.com/jp/artist/bgm-channel/904345180 Spotify: https://open.spotify.com/artist/0ykZILVRZgnmdTi0opgb2f Amazon Music: https://music.amazon.co.jp/artists/B00M7ZFE7U ▼ Green Music BGM channel Apple Music: https://itunes.apple.com/jp/artist/green-music-bgm-channel/1468838705 Spotify: https://open.spotify.com/artist/0J2ynuj2JzNSiXtp4g9xyW Amazon Music: https://music.amazon.co.jp/artists/B07T73KY86 ☕ About Cafe Music BGM channel We are making Cafe music for relaxation, for work, for study, etc. All music in this video & in this channel is original music by us. We are playing all the songs. 📜 What is BGMC? Morning. Gentle light that shines through the blinds One glass of water after waking up The tender breeze from the window that we feel with all our body These things are too ordinary in everyday life to be conscious. But we can't live even if one of them is missing. "BGMC - BGM channel" has been providing music, hoping to be like them. Though it is colorless and transparent, we want to make the listener's daily life as colorful as possible. That is the essence of the music we deliver. Light, water, wind, and BGMC A new value for music. 🎬 Other channels produced by BGMC ▼ BGM channel https://www.youtube.com/user/bgmchannelbgm ▼ Green Music BGM channel https://www.youtube.com/user/japanrelaxingmusic ▼ J-POP Music BGM channel https://www.youtube.com/user/jpopcoverchannel 📩 Contact For business inquiries (live music & creating music for your business), contact us via the contact form on the website. Official web site: https://www.bgmchannel.com/ 🔗 Follow us on Social Media. Please use hashtag "BGMClife" and share your BGMC Life! Instagram: https://www.instagram.com/bgmc_bgmchannel/ Facebook: https://www.facebook.com/bgmc.bgmchannel/ Twitter: https://twitter.com/bgmc_bgmchannel © Music is Copyrighted. #MusicRadio #JazzMusic #SleepMusic

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Classical Piano Music for Brain Power: Piano Music for Studying

🎧 Listen to our playlist on Spotify: http://bit.ly/PeacefulClassicalPiano 👥 Like us on Facebook: https://www.facebook.com/halidonmusic 💿 Order “100 Classical Pieces” (5CDs) on Amazon: IT: https://amzn.to/2nl5Fqj FR: https://amzn.to/2UwNXuN DE: https://amzn.to/2UBrooX ES: https://amzn.to/2DLmhN0 UK: https://amzn.to/2DLUn3O USA: https://amzn.to/2Scmi4T CA: https://amzn.to/2Ww9SE2 MEX: https://amzn.to/2Gddm8S 💿 Order “100 Classical Pieces” (5CDs) on eBay: http://bit.ly/2VVsMEz These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact info@halidononline.com CLASSICAL PIANO MUSIC FOR STUDYING & BRAIN POWER 1 Debussy - Rêverie, L. 68 00:00 2 Debussy - Suite Bergamasque, L. 75: III. Clair de Lune 04:12 3 Chopin - Nocturnes, Op. 9: No. 2 in E-flat major 08:55 4 Debussy - Deux Arabesques: No. 1, Andantino con moto 13:13 5 Satie - Trois Gymnopédies: No. 1, Lent et doloreux 17:22 6 Liszt - Consolations, S. 172: No. 3, Lento placido 20:10 7 Beethoven - Piano Sonata No. 14 "Moonlight Sonata": I. Adagio sostenuto 24:10 8 Chopin - Nocturne in C sharp minor, Op. Posth. 29:03 Tchaikovsky - The Seasons, Op. 37a: 9 January. By the Fireside 32:51 10 March. Song of the Lark 38:11 11 April. Snowdrop 40:52 12 June. Barcarolle 43:41 13 November. On the Troika 48:56 14 December. Christmas 52:06 15 Mozart - Piano Sonata No. 11 in A Major, K 331: III. Alla Turca 56:37 16 Satie - Gnossiennes: No. 5, Modéré 1:00:16 17 Satie - Gnossiennes: No. 2, Avec etonnement 1:02:39 18 Mozart - Ave Verum corpus, S. 44 1:04:16 19 Chopin - Douze Etudes, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" 1:06:35 20 Grieg - Lyric Pieces, Op. 38: No. 1, Cradle Song 1:09:03 21 Grieg - Lyric Pieces, Op. 68: No. 5, At the Cradle 1:11:21 Mozart - Piano Sonata No. 16 in C Major, K. 545 "For Beginners" 22 I. Allegro 1:13:31 23 II. Andante 1:16:32 24 III. Rondo 1:20:16 25 Clementi - Piano Sonata in E-Flat Major, Op. 20: III. Rondò. Allegro spiritoso 1:22:12 26 Mozart - Piano Sonata in B-Flat Major, K. 333: I. Allegro 1:25:40 27 Bach - Notebooks for Anna Magdalena Bach: Menuet in G Minor, BWV Anh. 114 1:31:07 28 Mozart - Piano Sonata No. 17 in B-Flat Major, K. 570: II. Adagio 1:32:24 29 Beethoven - Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" 1:39:32 30 Bach - Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria 1:43:20 Mendelssohn - Lieder ohne Worte, Op. 19b 31 No. 1 in E Major, MWV U86 1:49:39 32 No. 2 in A Minor, MWV U80 1:52:24 33 No. 4 in A Major, MWV U73 1:54:26 34 Mendelssohn - Lieder ohne Worte, Op. 102: No. 5 in A Major, MWV U194 1:56:06 35 Mozart - Piano Sonata in B-Flat Major, K. 333: II. Andante cantabile 1:57:24 36 Chopin - Berceuse in D-Flat Major, Op. 57 2:03:14 Tracks 1, 2, 3, 4, 6, 7, 8: Luke Faulkner Tracks 5, 16, 17, 18, 20, 21, 22, 23, 24, 28, 31, 32, 33, 34: Carlo Balzaretti Tracks 9-14: Vadim Chaimovich Tracks 15, 19, 25, 26, 27, 29, 30, 35, 36: Giovanni Umberto Battel Thank you so much for watching this video by Halidon Music channel, we hope you enjoyed it! Don't forget to share it and subscribe to our channel http://bit.ly/YouTubeHalidonMusic All the best classical music ever on Halidon Music Youtube Channel: The Best Classical Music Playlist Mix, The Best Classical Music For Studying, Classical Music For Reading, Classical Music For Concentration, Classical Music for Sleeping and Relaxation, Instrumental Music, Background Music, Opera Music, Piano, Violin & Orchestral Masterpieces by the greatest composers of all time. The very best of Mozart, Beethoven, Bach, Chopin, Tchaikovsky, Vivaldi, Schubert, Handel, Liszt, Haydn, Strauss, Verdi, Brahms, Wagner, Mahler, Rossini, Ravel, Grieg, Dvorák… #piano #classicalmusic #brainpower #studying

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3 Hours Classical Music for Studying

🎵 Buy the MP3 album on the Official Halidon Music Store: http://bit.ly/2PbYtYL 🎧 Listen to our playlist on Spotify: http://bit.ly/BrainPowerClassicalMusic 💿 Order “Music for Reading” (2CDs) on Amazon: IT: https://amzn.to/2IJM7Bk FR: https://amzn.to/2GMDSm9 DE: https://amzn.to/2LqivKX ES: https://amzn.to/2GLtivN UK: https://amzn.to/2KPoyHL USA: https://amzn.to/2T3mIXQ CA: https://amzn.to/2RTmFB3 MEX: https://amzn.to/2SXBCPW 💿 Order “Music for Reading” (2CDs) on eBay: http://bit.ly/2BBFmzD 🔔 Subscribe to our channel: http://bit.ly/YouTubeHalidonMusic 👥 Like us on Facebook: https://www.facebook.com/halidonmusic These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact info@halidononline.com 3 Hours Classical Music for Studying MOZART 00:00 Divertimento in D major, K. 136 "Salzburg Symphony No. 1": II. Andante 03:38 Divertimento in F major, K. 138 "Salzburg Symphony No. 3": II. Andante (Metamorphose String Orchestra, Pavel Lyubomudrov) GRIEG Holberg Suite, Op. 40 06:23 II. Sarabande 10:06 III. Gavotte (Metamorphose String Orchestra, Pavel Lyubomudrov) TELEMANN Viola Concerto in G Major, TWV 51:G9 13:20 I. Largo 16:56 IV. Presto (Warmia Symphony Orchestra, Giovanni Antonioni, Silvano Frontalini) HAYDN 20:03 Cello Concerto No. 2 in D major: II. Adagio (Mikael Samsonov, Metamorphose String Orchestra, Pavel Lyubomudrov) 24:50 Cello Concerto No. 2 in D Major: III. Rondo (Metamorphose String Orchestra, Pavel Lyubomudrov, Nike Hutchisson) 29:17 Divertimento in C Major "London Trio No. 1": II. Andante (Otri Trio) SIBELIUS 31:22 Andante Festivo (Metamorphose String Orchestra, Pavel Lyubomudrov) 35:27 Duo for Violin and Viola in C Major (Otri Trio) TCHAIKOVSKY 41:17 String Quartet No. 1, Op. 11: II. Andante Cantabile 47:51 Serenade for Strings, Op. 48: II. Valse (Metamorphose String Orchestra, Pavel Lyubomudrov) 51:38 Symphony No. 6 in B Minor, Op. 74 "Pathetique": II. Allegro con grazia (Wroclaw Symphony Orchestra, Natalia Ponomarchuk) VIVALDI 59:36 The Four Seasons, Concerto No. 1 "Spring": II. Largo e pianissimo sempre 1:01:59 The Four Seasons, Concerto No. 4 "Winter": II. Largo (Metamorphose String Orchestra, Yuliya Lebedenko, Pavel Lyubomudrov) MOZART 1:03:59 Divertimento in B-Flat Major, K. 137: II. Allegro di molto (Metamorphose String Orchestra, Pavel Lyubomudrov) 1:07:26 Flute and Harp Concerto in C Major, K. 299: II. Andantino (Opole Philarmonic Orchestra, Silvano Frontalini, Ursula Mazurek) VIVALDI 1:15:36 Concerto for Strings in G Minor, RV 152: II. Andante molto (Kaunas Chamber Orchestra, Marek Tracz) SAINT SAENS 1:17:27 The Carnival of the Animals: XIII, The Swan (Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov) SCHUBERT Sonata for Arpeggione and Piano in A Minor, D. 821 1:20:50 I. Allegro moderato 1:32:39 II. Adagio & III. Allegretto (Ignacy Gaydamovich, Janusz Grzelązka) STAMITZ 1:46:10 Sinfonia Concertante in D Major: II. Romanza (Giovanni Antonioni, Warmia Symphony Orchestra, Silvano Frontalini) RACHMANINOFF 1:52:45 Symphony No. 2 in E Minor, Op. 27: III. Adagio (Kyiv State Symphony Orchestra, Yurii Nykonenko) 2:06:54 14 Romances, Op. 34: No. 14, Vocalise (Cihan Yücel, Ignacy Gaydamovich) BACH 2:12:24 Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String (Metamorphose String Orchestra, Pavel Lyubomudrov) Cello Suite No. 1 in G Major, BWV 1007 2:17:57 I. Prélude 2:20:57 II. Allemande (Massimiliano Martinelli) LITVINOVSKY Suite for Strings "Le Grand Cahier" 2:25:12 I. La Foret et la Riviere 2:27:59 VI. Le Bain 2:30:13 VIII. Theatre (Metamorphose String Orchestra, Pavel Lyubomudrov) LEOS JANACEK 2:32:53 Suite for String Orchestra: II. Allemande. Adagio (Metamorphose String Orchestra, Pavel Lyubomudrov) VIVALDI 2:36:42 Concerto for Strings & Continuo in C Major, RV 113: II. Grave (Kaunas Chamber Orchestra, Silvano Frontalini) MENDELSSOHN 2:38:29 Songs without Words (Cihan Yücel, Ignacy Gaydamovich) TCHAIKOVSKY 2:42:08 Variations on a Rococo Theme, Op. 33: III. Andante sostenuto - VII, Andante sostenuto (Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov) SCHUMANN 2:48:14 5 Pieces in Folk Style, Op. 102: No. 2, Langsam (Ignacy Gaydamovich, Janusz Grzelązka) PUCCINI 2:52:45 Tosca: Vissi d'arte (Ukrainian Philharmonic Orchestra, Silvano Frontalini) 2:55:23 Gianni Schicchi: O mio babbino caro (Duo Hansen) GRIEG 2:57:36 Peer Gynt, Suite No. 2, Op. 55: IV. Solveig's Song (Duo Hansen) #classicalmusic #study #concentration #relax

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100 Classical Masterworks | Mozart Beethoven Chopin Schubert Haydn ...

♫ Buy the MP3 album on the Official Halidon Music Store: http://bit.ly/2SVYgMM 🎧 Listen to "The Best of Classical Music" on Spotify: http://spoti.fi/2nv7mvw ▶▶ Order “100 Classical Pieces” (5CDs) on Amazon: http://hyperurl.co/100PiecesClassical IT (La Feltrinelli): http://bit.ly/2XC4lMV 100 Classical Masterworks CLASSICAL PERIOD 1 Mozart - Eine Kleine Nachtmusik: I. Allegro 00:00 2 Beethoven - Symphony No. 3, Op. 55 ‘Eroica’: I. Allegro con brio 06:02 3 Mozart - Le Nozze di Figaro: Non Più Andrai, Farfallone Amoroso 20:55 4 Mozart - The Magic Flute: Ouverture 24:15 5 Beethoven - Symphony No. 6, Op. 68 ‘Pastoral’: I. 31:30 6 Haydn - Cello Concerto No. 2 42:22 7 Haydn - London Trio No. 1: I. Allegro moderato 46:51 8 Mozart - Symphony No. 41 ‘Jupiter’: IV. Molto Allegro 50:27 9 Mozart - Symphony No. 40: I. Molto allegro 59:24 10 Beethoven - Symphony No. 7, Op. 92: II. Allegretto 1:07:37 BAROQUE PERIOD 1-3 Vivaldi - ‘Spring’ I. Allegro 01:16:38 II. Largo e pianissimo sempre 1:19:53 III. Allegro pastorale 1:22:16 4-7 Telemann - Viola Concerto I. Largo 1:26:01 II. Allegro 1:29:33 III. Andante 1:32:40 IV. Presto 1:37:22 8-10: Vivaldi - Symphony, RV. 112 I. Allegro 1:40:28 II. Andante 1:42:24 III. Presto 1:44:16 11-13: Bach - Harpsichord Concerto No. 1 I. Allegro 1:44:57 II. Adagio 1:53:10 III. Allegro 1:59.46 14-16 Vivaldi - Concerto for Strings, RV. 164 I. Allegro 2:07:47 II. Adagio 2:09:44 III. Allegro 2:10:40 17-22: Corelli - Concerto Grosso No. 9, Op. 6 I. Preludio 2:12:01 II. Allemanda 2:14:07 III. Corrente 2:17:00 IV. Gavotta 2:18:52 V. Adagio 2:19:56 VI. Minuetto 2:21:10 23-25 Bach - Brandenburg Concerto No. 3 I. Allegro moderato 2:23:09 II. Adagio 2:29:05 III. Allegro 2:29:31 ROMANTIC PERIOD 1 Strauss II - Voices of Spring 2:34:14 2 Tchaikovsky - Nutcracker Suite, Russian Dance 2:41:46 3 Bizet - Carmen Suite No. 1: VI. Les Toréadors 2:42:58 4 Tchaikovsky - Swan Lake, Spanish Dance 2:45:00 5 Tchaikovsky - Serenade for Strings, Op. 48: II. Valse 2:47:09 6 Grieg - Holberg Suite, Op. 40: I. Praeludium 2:51:06 7 Tchaikovsky - Symphony No. 6, Op. 74 ‘Pathétique’: IV. Adagio lamentoso 2:53:50 8 Schumann - Fantasy Pieces, Op. 73: I. 3:03:52 9 Saint-Saëns - The Carnival of the Animals: The Swan 3:06:54 10 Rachmaninoff - Rhapsody on a Theme by Paganini: Var. XVIII 3:09:32 11 Schumann - 5 Pieces in Folk Style, Op. 102: No. 2, Langsam 3:12:27 12 Mendelssohn - Songs Without Words, Book 1, Op. 19b: No. 1 3:16:57 13 Chopin - Prelude No. 4, Op. 28 3:20:46 14 Schubert-Liszt - Ständchen (Serenade), No. 7 3:23:04 15 Mendelssohn - Songs Without Words, Book 2, Op. 30: No. 6, Venetian Boat Song 3:28:50 16 Scriabin - ‘Étude Pathétique’ 3:32:22 PIANO 1 Chopin - ‘Aeolian Harp’ 3:35:03 2 Debussy - Arabesque No. 1 3:37:31 3 Liszt - Consolations: No. 3, Lento placido 3:41:38 4 Beethoven - ‘Moonlight Sonata’: I. Adagio sostenuto 3:45:40 5 Satie - Trois Gymnopédies: No. 1, Lent et doloreux 3:50:33 6 Tchaikovsky - The Seasons, June. Barcarolle 3:53:23 7 Chopin - Waltz in F Minor, Op. Posth. 70, No. 2 3:58:39 8 Debussy - Clair de Lune 4:02:00 9 Grieg - Lyric Pieces, Book I, Op. 12: No. 1, Arietta 4:06:44 10 Chopin - Nocturnes, Op. 9: No. 2 4:08:16 11 Liszt - Liebesträume: No. 3 4:12:59 12 Schumann - Träumerei 4:18:49 13 Chopin - Nocturne 4:22:02 14 Chopin - ‘Raindrop’ 4:26:54 15 Satie - Trois Gymnopédies: No. 2, Lent et triste 4:32:06 16 Satie - Trois Gymnopédies: No. 3, Lent et grave 4:34:21 17 Rachmaninoff - Six Moments Musicaux, Op. 16: No. 3, Andante cantabile 4:36:27 18 Beethoven - ‘Für Elise’ 4:41:52 19 Bach (attr.) - Notebooks for Anna Magdalena Bach: Menuet 4:45:39 20 Mozart - Alla Turca 4:46:57 21 Rosetti - Piano Sonata: III. Rondeaux. Allegretto 4:50:36 STRINGS 1 Einaudi - Nuvole Bianche (two cellos) 4:52:33 2 Piazzolla - Oblivion 4:59:07 3 Afternova – Heartfelt 5:02:43 4 Sibelius - Andante Festivo 5:06:43 5 Morricone - Gabriel’s Oboe 5:10:48 6 Vivaldi - Concerto for Strings, RV 152: II. Andante molto 5:13:18 7 Puccini - Tosca: Vissi D’Arte (instr) 5:15:07 8-17 Litvinovsky - ‘Le Grand Cahier’ 5:17:44 18 Corelli - Concerto Grosso No. 10, Op. 6: I. Preludio 5:43:51 19 Vivaldi - The Four Seasons, "Winter": II. Largo 5:46:31 20 Litvinovsky - Tales of the Magic Tree: Lost in the Blossoming Gardens 5:48:28 21 Piazzolla - Libertango 5:52:44 22 Morricone - The Falls 5:55:34 23 Prokofiev - Suite No. 2 from Romeo and Juliet, Op. 64ter: No. 3, Friar Laurence 5:58:56 24 Rota - Valzer del Commiato 6:01:05 25 Lanzetta - Trio per Archi 6:04:06 26 Rota - Valzer (The Leopard) 6:07:29 27 Mozart – La finta Giardiniera 6:09:36 28 Barber – Adagio for strings 6:15:42 #essentialclassic #bestofclassical #mozart

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Beethoven 9 - Chicago Symphony Orchestra - Riccardo Muti

On May 7, 1824, Beethoven shared his 9th Symphony with the world even though he could never hear it. On May 7, 2015 celebrate the anniversary of Beethoven’s most glorious and jubilant masterpiece with Riccardo Muti and the Chicago Symphony Orchestra and Chorus. An exhilarating testament to the human spirit, Beethoven’s Ninth bursts with brooding power and kinetic energy and culminates in the exultant hymn, “Ode to Joy.”The video is now available free on demand for all to enjoy! - See more at: http://cso.org/beethoven9 #sharethejoy

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Riccardo Muti (Conductor), Chicago Symphony Orchestra (Conducted Ensemble), Symphony No.9 (Composition), Orchestra (Musical Genre), Ludwig Van Beethoven (Composer), Classical, Conductor (Profession), cso, sharethejoy, csovideo, Beethoven9, beethoven's Ninth, Concert (TV Genre), Performance (Visual Art Form), Chicago Symphony Center (Venue), Chicago (City/Town/Village), Symphony (Composition Type)

J.S. Bach: The Violin Concertos

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/BachViolinConcertos Available for licensing: https://www.brilliantclassicslicensing.com/albums/js-bach-the-violin-concertos/ More Information: https://www.brilliantclassics.com/articles/j/js-bach-the-violin-concertos/ Social media: Brilliant Classics Facebook: https://brilliant-classics.lnk.to/Facebook Brilliant Classics Instagram: https://brilliant-classics.lnk.to/Instagram Spotify Playlists: Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify New Classical Releases: https://brilliant-classics.lnk.to/NewReleases Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic Tarrega Edition: https://brilliant-classics.lnk.to/TarregaPlaylist The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPiano Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime Composer: Johann Sebastian Bach Artists: Emmy Verhey (violin), Camerata Antonio Luco, Rainer Kussmaul (violin), Henk Rubingh (violin), Thomas Hengelbrock (violin), Amsterdam Bach (Soloists) Available as a separate release: all concertos for 1 violin by Bach. They are BWV 1041 and 1042: the well-known concertos. BWV1052, 1056 and 1064 are reconstructions. The latter one being for three violins. Soloists are among others Emmy Verhey and Rainer Kussmaul. Tracklist: Violin Concerto in A Minor, BWV 1041: 00:00:00 I. Allegro 00:03:52 II. Adagio 00:10:23 III. Allegro Violin Concerto in E Major, BWV 1042: 00:14:22 I. Allegro 00:22:05 II. Adagio 00:28:47 III. Allegro assai Violin Concerto in D Minor, BWV 1052: 00:31:42 I. Allegro 00:39:20 II. Largo 00:46:22 III. Presto Violin Concerto in G Minor, BWV 1056: 00:54:14 I. Allegro 00:57:37 II. Andante 01:00:52 III. Allegro assai Concerto for 3 violins, strings & b.c. in D Major, BWV 1064: 01:04:30 I. Allegro 01:10:23 II. Adagio 01:15:35 III. Allegro Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: https://brilliant-classics.lnk.to/YouTube And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #Bach #Classical #Violin #ClassicalMusic #ViolinConcertos #J.S.Bach

Music

Bach, JS Bach, Violin concertos, Bach violin, Bach violin Concertos, JS bach violin, violin, emmy Verhey, Bach concertos, Bach 3 violins, Concerto for 3 violins, strings & b.c., Bach BWV

BEETHOVEN Concerto for Violin and Orchestra - Hilary Hahn, violin; Leonard Slatkin, conductor

Nonprofits & Activism

Mozart Violin Concerto N.5 in A major KV.219 - Bomsori Kim 김봄소리

Mozart Violin Concerto No.5 in A major, KV.219 모차르트 바이올린 협주곡 제5번 가장조, KV.219 Bomsori Kim 김봄소리, Violin Paul Meyer, Conductor Orchestre Royal de Chambre de Wallonie Semi-final, 2015 Queen Elisabeth Competition 준결승, 2015 퀸 엘리자베스 콩쿠르 May 12nd, 2015 ⓒ QEIMC asbl/vzw I. Allegro Aperto II. Adagio III. Rondeau

Music

Beethoven: Piano Trio in D major, “Ghost” - Harriet Krijgh & Friends - Live HD

On Wednesday the 27th of June the Utrecht International Chamber Music Festival 2018 opened with a spectaculair openingsconcert by cellist Harriet Krijgh & Friends. Among two other brilliant pieces, they focused on Beethoven's wonderful 'Piano Trio in D major, Op. 70 No. 1', nicknamed "Ghost". This nickname has probably been born out of a quote by Beethoven's pupil Carl Czerny. According to him, "The character of the very slow to perform Largo is spooky and eerie, like a vision of the underworld." 0:03 Allegro vivace e con brio 7:25 Largo assai ed espressivo 19:06 Presto Ludwig van Beethoven: Piano Trio in D major, Op. 70 No. 1 “Ghost” Emmanuel Tjeknavorian [violin] Harriet Krijgh [cello] Magda Amara [piano] Ab Nieuwdorp [presenter] Recording: Wednesday the 27th of June 2018, during The Utrecht International Chamber Music Festival in TivoliVredenburg in Utrecht. More AVROTROS Klassiek: ♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/ ♬ Twitter: https://twitter.com/klassiekonline ♬ Instagram: https://www.instagram.com/avrotrosklassiek/

Music

AVROTROS, AVROTROS Klassiek, Radio 4, klassieke muziek, classical music, Live, HD, Concert, klassiek, NPO Radio 4, Beethoven, Piano Trio, Ghost, Utrecht International Chamber Music Festival, Internationaal Kamermuziek Festival Utrecht, Utrecht, IKFU, TivoliVredenburg, Geister, Pianotrio, Simone Lamsma, Candida Thompson, Emmanuel Tjeknavorian, Lise Berthaud, Iris Juda, Victor Julien-Laferriere, Harriet Krijgh, Magda Amara, Pianotrio in D, Piano Trio in D

Bach Double Violin Concerto in D Minor 2nd mvt. Largo; Voices of Music BWV 1043

Hey everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.html and we will make more videos like this one :) The Concerto for two violins, strings, and basso continuo in D Minor (BWV 1043) of J.S. Bach. Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :) Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC The concerto is surely one of the most complex, entrancing and beautiful of all of the concertos from the baroque period. We invite you to enjoy this timeless moment from the live performance at St. Mark's, San Francisco, performed on original instruments by Voices of Music. Featuring Carla Moore and Cynthia Miller Freivogel, solo baroque violins; Katherine Kyme and Lisa Grodin, baroque violins; David Daniel Bowes, baroque viola; Tanya Tomkins, continuo cello; Farley Pearce, violone, Katherine Heater, baroque organ; David Tayler, archlute. Please consider a donation, http://www.voicesofmusic.org/donate.html and we will make more videos like this one~!

Music

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Corelli: Concerto in F Major Opus 6 No. 2; complete, Voices of Music 4K UHD, original instruments

Hey everyone~! Please consider a donation, http://www.voicesofmusic.org/donate.html and we will make more videos like this one :) We need your help! The Concerto in F Major Op. 6 No. 2 by Arcangelo Corelli, complete. Performed on original instruments by the early music ensemble Voices of Music. 4K UHD video from the Steffani Stabat Mater concert, March 2015, San Francisco. 300 years ago, Corelli's concertos, Op. 6, were published in 1714 in Amsterdam: these works dramatically affected the style of the baroque concerto for the next generation of composers. The reception of this magnificent collection, one of the crown jewels of baroque instrumental music, was in no small part due to the music publishing boom which began around 1690, as well as Corelli's signature set of violin sonatas, Opus 5, of which as Michael Talbot notes "at least 42 editions had appeared by 1800". The wide availability of Corelli's works created an international Corellian style. The concertos are written in an expanded trio sonata form, in which the two solo violins and continuo provide the core ensemble within the larger tutti framework. Corelli composed his concerto in F Major without the usual three or four sections, but twelve sections (many of which are asymmetrical); two of these twelve are simply cadence markers consisting of one or two bars, the the remaining twelve movements are numbered in the video. The work begins with an upbeat flourish which then serves as anchor points for the following imitative sections. The wistful adagios provide an excellent foil to the persistent rhythms of the allegros. The Musicians and their Instruments Kati Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, 1791 Elizabeth Blumenstock, baroque violin by Andrea Guarneri, Cremona, Italy, 1660 Adaiha MacAdam-Somer, baroque cello, Anonymous, 18th century Lisa Grodin,baroque violin by Paulo Antonio Testore, Larga di Milano, Italy, 1736 Maxine Nemerovski, baroque violin by Timothy Johnson, Bloomington, Indiana, 1999 (after Antonio Stradivari, Cremona, Italy, 17th century) David Daniel Bowes, baroque viola by Richard Duke, London, England, ca. 1780 Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560 David Tayler, archlute by Andreas von Holst, Munich, 2012, after Tieffenbrucker, c1610 Hanneke van Proosdij, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century northern German instruments

Music

Ultra High Definition Television (Employer), 4K Resolution, Concerto (Composition Type), Arcangelo Corelli (Composer), Master And Commander: The Far Side Of The World (Award-Winning Work), Europa Galante (Musical Group), Il Giardino Armonico (Musical Group), Voices of Music, Hanneke van Proosdij, Twelve Concerti Grossi Op. 6 (Composition), Concerto Grosso, Adaiha MacAdam-Somer, David Tayler, Elizabeth Blumenstock, Kati Kyme, Academy Of Ancient Music (Orchestra)

Lascia ch'io pianga (Händel's opera Rinaldo); Voices of Music with Kirsten Blaise, soprano

Hey everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.html and we will make more videos like this one :) Handel's signature aria from his Opera Rinaldo HWV 7 (1711), performed on original instruments by Voices of Music, with soprano Kirsten Blaise. Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :) Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC Handel reworked one of his best arias from "Il trionfo del tempo" (1707) for Rinaldo, his first London opera, and the first Italian opera specifically composed for the London theatres. Lascia ch'io pianga mia cruda sorte, e che sospiri la libertà. Il duolo infranga queste ritorte de' miei martiri sol per pietà. Let me weep over my cruel fate, and sigh for freedom. Let my sorrow break the chains of my suffering, out of pity. The Musicians (left to right, back to front) Kati Kyme, baroque violin Gabrielle Wunsch, baroque violin Elizabeth Blumenstock, baroque violin Maxine Nemerovski, baroque violin Lisa Grodin, baroque viola Farley Pearce, violone Shirley Edith Hunt, baroque cello David Tayler, archlute Hanneke van Proosdij, baroque organ And the fabulous Kirsten Blaise, soprano Voices of Music directed by Hanneke van Proosdij & David Tayler www.voicesofmusic.org #Handel #HandelAria #HandelOpera

Music

Lascia Ch'io Pianga (Composition), Voices of Music, HWV 7, Cecilia Bartoli (Musical Artist), Farinelli (Musical Artist), Farinelli (Film), Tsuki Amano (Musical Artist), George Frideric Handel: Lascia Ch'io Pianga (from Rinaldo), Hayley Westenra (Musical Artist), Renée Fleming, Donna Leon (Author), Philippe Jaroussky (Musical Artist), Lascia Ch'io Pianga (from Rinaldo) (Musical Recording), George Frideric Handel (Composer), Dominion, Joyce DiDonato, Händel, Sarah Brightman

Handel Water Music: Hornpipe; FestspielOrchester Göttingen, Laurence Cummings, director 4K

The Hornpipe from Handel's Water Music (HWV 349), performed by the FestspielOrchester Göttingen, Laurence Cummings, director. CD now available! https://goo.gl/24jFWq 4K video from the Gala Concert at the Göttingen International Handel Festival. The Göttingen Handel Festival is one of the oldest and most prestigious festivals in Europe. Every year, musicians from around the world celebrate the music of Handel and his contemporaries with performances of operas, oratorios and many other concerts. Vist the Handel Festival on the web at: https://www.haendel-festspiele.de Keep track of their activities year 'round on Facebook: https://goo.gl/X7KcJe Handel's Water Music has traditionally been divided into three suites; however, recent research has shown that it is most likely one continuous work: this video is taken directly from the performance of the new edition and presented here for the first time in 4K, ultra high definition video. No autograph timpani parts survive for the Water Music, but advertisements for performances in Drury Lane and Lincoln's Inn Fields feature them prominently: "After the play, Mr Handel's Water-Musick, in which Mr Benj Baker will beat the kettle-drums, accompanied by trumpets and French horns." For this recording, Maarten van der Valk performs his reconstruction of the timpani parts. #Handel #Hornpipe

Music

HWV 349, Water Music, Wassermusik, George Frideric Handel, Händel, Alla Hornpipe, Laurence Cummings, Freiburger Barockorchester (Musical Group), 4K UHD, David Tayler, Kate Clark, Hanneke van Proosdij, Göttingen Handel Festival, Suite No 2 in D Major, Handel Water Music, Royal Fireworks, FestspielOrchester Göttingen, The Madness of King George, BBC Proms

Antonio Vivaldi: La Follia (La Folia); Voices of Music, Robin Gilbert and Carlos Fittante, dancers

Hi everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.... and we will make more videos like this one :) Voices of Music presents "La Follia: A Baroque Pageant", HD video of the performance of Vivaldi's variations on "La Follia" (RV 63), choreographed and danced by baroque dancers Robin Gilbert and Carlos Fittante. Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both  Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC In 1705, eager to make his mark as a composer of both opera and instrumental music, the young Vivaldi published his first set of twelve trio sonatas as Opus 1. The last sonata, which is a highly virtuosic set of variations on the "La Follia" dance pattern (titled only "Follia" in the print), is one of his most famous works; Vivaldi takes Corelli's variations on the same theme-and-bass pattern from Corelli's Opus 5 (1700), which was already a famous work, and adds figuration of even greater complexity. La Follia a baroque pageant choreography carlos fittante dancers robin gilbert carlos fittante costumes carlos fittante stephen campos masks: jane stein based on baroque originals carved by renu of singapadu, bali, indonesia The Musicians and their Instruments Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754 Katherine Kyme, baroque violin by Johann Gottlob Pfretzichner, Mittenwald, 1791 William Skeen, five string baroque cello, Anonymous, Italy, c1680 David Tayler, baroque guitar by John Rollins, after Jean Voboam, Paris, 1687 Hanneke van Proosdij, harpsichord by Joop Klinkhamer, Amsterdam (1996), after Ruckers-Goujon, Neuchâtel, Switzerland Lid painting by Millicent Tomkins, Marin, 2012 #Vivaldi #LaFollia

Music

Antonio Vivaldi, Voices of Music, dance, baroque dance, Dance (song), La Follia, follia, folia, La Follia Variations, Dancing, guitar, flamenco, David Tayler, Hanneke van Proosdij, Carlos Fittante, Robin Gilbert, William Skeen, Kati Kyme, Carla Moore, Arcangelo Corelli, Giardino Armonico, RV63, RV 63, la folia

Schubert: Trio Op. 100 - Andante con moto. Freivogel, Tomkins & Zivian 4K UHD

The Andante con moto from Franz Schubert's Trio in E Flat Major, Opus 100 (D. 929). 4K, ultra high definition video from the Valley of the Moon Music Festival, July 2017, performed on original instruments. Cynthia Miller Freivogel, violin Tanya Tomkins, cello Eric Zivian, fortepiano Visit the Valley of the Moon Music Festival on the web at http://valleyofthemoonmusicfestival.org The Andante from Schubert's 2nd Piano trio has been used as the soundtrack for many films, including Stanley Kubrick's Barry Lyndon. Wikipedia: The Trio No. 2 in E-flat major for piano, violin, and violoncello, D. 929, was one of the last compositions completed by Franz Schubert, dated November 1827. It was published by Probst as Op. 100 in late 1828, shortly before the composer's death and first performed at a private party in January 1828 to celebrate the engagement of Schubert's school-friend Josef von Spaun. The Trio was among the few of his late compositions Schubert heard performed before his death. It was given its first private performance by Carl Maria von Bocklet on the fortepiano, Ignaz Schuppanzigh playing the violin, and Josef Linke playing violoncello. #Schubert #BarryLyndon

Music

e52IMaE-3As, Franz Schubert (Composer), Barry Lyndon (motion picture), Barry Lyndon, Stanley Kubrick, Soundtrack, Schubert Trio, Voices of Music, Valley of the Moon, Tanya Tomkins, Eric Zivian, Trio Wanderer, Opus 100, Op. 100, Schubert Piano trio, piano trio, fortepiano, D. 929, The Hunger, Crimson Tide, The Mechanic, John Adams, The Piano Teacher, L'Homme de sa vie, Land of the Blind, Dear White People, Recordações da Casa Amarela, Isabelle Huppert

Vivaldi Four Seasons: "Winter" (L'Inverno), complete; Cynthia Freivogel, Voices of Music 4K RV 297

Hey everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.html and we will make more videos like this one :) Vivaldi's Concerto for solo baroque violin and strings in F Minor, "Winter" (L'Inverno, RV 297), performed by Cynthia Miller Freivogel and the Early Music ensemble Voices of Music. Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :) Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC Vivaldi's brilliant concerto is here presented complete in 4K, ultra high definition video, performed on original instruments. For this video, a new edition was prepared from the original sources, prints and manuscripts for Vivaldi's music. In addition, a digital overlay has been created for Vivaldi's sonnets which were inlaid into the original engraving: click the CC button to view the sonnet and the gear icon to choose your preferred language. Voices of Music is creating a worldwide digital library of music videos, recordings and editions, free for anyone in the world. To support this vital project, which will enable new generations of people all around the world to enjoy Classical music, please consider a tax-deductible donation or sponsor a recording project. With your help, anything is possible! https://voicesofmusic.org/donate.html Voices of Music continues our groundbreaking work as a pioneer in the new field of Ultra-High definition video. Although the Four Seasons is the most recorded work in Classical music, this is the first time that the work is made freely available in this format, and performed on period instruments. Your donations will keep the presses running! Voices of Music Hanneke van Proosdij & David Tayler, directors Maria Caswell, baroque viola, anonymous, Mittenwald, c1800 Cynthia Miller Freivogel, baroque violin by Johann Paul Schorn, Salzburg, Austria, 1715 Lisa Grodin, baroque violin by Paulo Antonio Testore, Larga di Milano, Italy, 1736 Katherine Heater, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century northern German instruments Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754 Maxine Nemerovski, baroque violin by Joseph Gaffino, Paris, 1769 Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560 Hanneke van Proosdij, Italian single manual harpsichord by Johannes Klinkhamer, Amsterdam, 2000, after Cristofori, Florence, c1725 Elisabeth Reed, baroque cello, anonymous, 1673 David Tayler, archlute by Andreas von Holst, Munich, 2012 after Magno Tieffenbrucker, Venice, c1610 Tanya Tomkins, baroque cello, Lockey Hill, London, England, 1798 Gabrielle Wunsch, baroque violin by Lorenzo Carcassi, Florence, Italy, 1765

Music

Antonio Vivaldi, The Four Seasons, RV 297, David Tayler, Voices of Music, Julia Fischer, Nigel Kennedy, Hanneke van Proosdij, Cynthia Miller Freivogel, Le quattro stagioni, L'inverno, Il cimento dell'armonia e dell'inventione, Let it Go, Frozen, The Four Seasons (Composition), Antonio Vivaldi (Composer), Il Giardino Armonico (Musical Group), Vivaldi Four Seasons, Rachel Podger, Apollo's Fire, Cosmos: A Personal Voyage, John Wick 3, Parabellum, John Wick 3 Soundtrack

A. Marcello - Oboe Concerto in d minor (Marcel Ponseele, baroque oboe / Il Gardellino)

Alessandro Marcello (1684~1750) Concerto per Oboe, Archi e Basso Continuo in re minore, SF 935 - Op.1 (First published in 1717) I. Andante e spiccato - 00:00 II. Adagio - 03:32 III. Presto - 07:09 Marcel Ponseele (Baroque Oboe) Ensemble Il Gardellino Marcel Ponseele (conductor) A slightly older contemporary of Antonio Vivaldi, Marcello held concerts at his hometown of Venice. He composed and published several sets of concertos, including six concertos under the title of La Cetra (The Lyre), as well as cantatas, arias, canzonets, and violin sonatas. Marcello often composed under the pseudonym Eterio Stinfalico, his name as a member of the celebrated Arcadian Academy (Pontificia Accademia degli Arcadi). He died in Padua in 1747. Alessandro's brother was Benedetto Marcello (1686~1739), also a composer. Although his works are infrequently performed today, Marcello is regarded as a very competent composer. His La Cetra concertos are "unusual for their wind solo parts, concision and use of counterpoint within a broadly Vivaldian style," according to Grove, "placing them as a last outpost of the classic Venetian Baroque concerto." A concerto Marcello wrote in d minor for oboe, strings and basso continuo is perhaps his best-known work. Its worth was attested to by Johann Sebastian Bach who transcribed it for harpsichord (BWV 974). A number of editions have been published of the famous Oboe Concerto in d minor. The edition in c minor is credited to Benedetto Marcello.

Music

유선빈, Alessandro, Marcello, A.Marcello, Concerto, per, Oboe, Archi e, Basso, Continuo, in, re, minore, SF.935, for, oboe, strings, and, basso, continuo, In, D-minor, SF935, Op.1, Opus1, Opus-1, Italian-Baroque, Music, Baroque Oboe, Baroque-Oboe, Hautbois, Barockoboe, Barock, Hoboe, Marcel, Ponseele, Ensemble, Il, Gardellino, Historically, informed, performance, On, period, instruments

C.P.E. Bach: Cello Concerto in A Minor Wq. 170; William Skeen, Voices of Music, First Mvt. 4K UHD

Hi everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.... and we will make more videos like this one :) The opening Allegro Assai from Carl Philipp Emanuel Bach's Concerto in A minor, Wq.170, presented in celebration of his 300th anniversary. Performed on original instruments by the Early Music ensemble Voices of Music, William Skeen, soloist; 4K UHD video from our Virtuoso Concertos concert, November, 2014. Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both  Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC C.P.E. Bach transformed the musical language at the end of the Baroque, and as part of this process he also elevated the role of the cello, so that as a solo instrument it became the equal of the keyboard, violin and flute. This new balance is represented by the presentation of Bach’s concertos in multiple forms: the solo parts for the cello concertos were also arranged for harpsichord and flute. Although it is tempting to speculate that the cello versions were composed first, or specifically with the cello in mind, it is also quite possible that Carl Philipp could, first of all, handle the composition of three versions simultaneously, and, second, that he, like his father, was accomplished on a variety of instruments but was primarily a keyboard player. Nonetheless, the rich textures and compelling virtuosity of the concertos for cello make a persuasive case that the Carl Philipp--who occasionally cut a few compositional corners for lesser commissions--invested his best efforts in these concertos, which show a composer willing and able to emerge from the shadow of his extraordinary father, J.S. Bach. Performing parts based on the critical edition Carl Philipp Emanuel Bach: The Complete Works (http://www.cpebach.org) were graciously made available by the publisher, the Packard Humanities Institute of Los Altos, California. The Musicians and their Instruments Voices of Music performs on original instruments: hear the music played on instruments from the time of the composer. Lisa Grodin, baroque viola by Mathias Eberl, Salzburg, Austria, 1680 Kati Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, Germany, 1791 Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754 Maxine Nemerovski, baroque violin by Timothy Johnson, Bloomington, Indiana, 1999 (after Antonio Stradivari, Cremona, Italy, 17th century) Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560 Hanneke van Proosdij, Italian single manual harpsichord by Johannes Klinkhamer, Amsterdam, 2000, after Cristofori, Florence, c1725 William Skeen, baroque cello by Gianbattista Grancino, Milan, 1725 David Tayler, archlute by Andreas von Holst, Munich, 2012, after Magno Tieffenbrucker, Venice, c1610 Tanya Tomkins, baroque cello, Lockey Hill, London, 1798 Gabrielle Wunsch, baroque violin by Lorenzo Carcassi, 1764. #Bach #CelloConcerto

Music

Carl Philipp Emanuel Bach (Composer), Cello Concerto (Composition Type), Cello (Musical Instrument), Voices of Music, Hanneke van Proosdij, David Tayler, WIlliam Skeen, The English Concert (Musical Group), Ultra High Definition Television (Employer), Johann Sebastian Bach (Composer), wq170, wq 170, bach cello concerto, Berlin (German State), Berlin Bach, Wq. 170, Steven Isserlis

Arcangelo Corelli: Concerto in D Major Op. 6 No. 4, complete. Voices of Music; original instruments

Hey everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.html and we will make more videos like this one :) #Corelli #ConcertoGrosso The Concerto in D Major, Op. 6 No. 4, of Arcangelo Corelli,, performed on original instruments by the Early Music ensemble Voices of Music. Adagio 0:00 Allegro 0:21 Adagio 3:29 Vivace 5:04 Allegro & Coda 6:08 Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :) Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC 300 years ago, Corelli's concertos, Op. 6, were published in 1714 in Amsterdam: these works dramatically affected the style of the baroque concerto for the next generation of composers. The reception of this magnificent collection, one of the crown jewels of baroque instrumental music, is in no small part due to the music publishing boom which began around 1690, as well as Corelli's signature set of violin sonatas, Opus 5, of which as Michael Talbot notes "at least 42 editions had appeared by 1800". The wide availability of Corelli's works created an international Corellian style. The concertos are written in an expanded trio sonata style, in which the two solo violins and cello form a small ensemble within the larger tutti framework. The fourth concerto is noteworthy for its suave and serene introduction, the gracefulness of the dance movement, the exceptionally well-balanced counterpoint and harmony, and the furious concluding coda which flows out of the second ending of the last movement. HD Video from the Voices of Music Lamentations of Jeremiah concert, April, 2014. In the year 1702, the Avvisi di Roma noted that for a performance during Holy Week of Scarlatti's Lamentations, the orchestra also played "a superb concerto for basses, violones, violins and violas of Arcangelo" (Griffin, The Late Baroque Serenata). For the 300th anniversary of Corelli's concertos, we will be releasing on video selections from Corelli's Opus 6 as well as Handel's Opus 6. Voices of Music David Tayler & Hanneke van Proosdij, directors Kati Kyme & Elizabeth Blumenstock solo baroque violins Shirley Edith Hunt, solo baroque cello Gabrielle Wunsch & Maxine Nemerovski ripieno baroque violins Lisa Grodin, baroque viola Farley Pearce, violone Hanneke van Proosdij, baroque organ David Tayler, archlute http://www.voicesofmusic.org

Music

Arcangelo Corelli (Composer), Twelve Concerti Grossi Op. 6 (Composition), Concerto (Composition Type), D Major (Musical Scale), Voices of Music, Philharmonia Baroque Orchestra, Historically Informed Performance, Master And Commander (Book), David Tayler, Hanneke van Proosdij, Kati Kyme, Shirley Edith Hunt, Elizabeth Blumenstock, Academy Of Ancient Music (Orchestra), The Four Seasons (Composition), The Ladykillers (Film)

Bach - Cello Suite No. 2 in D Minor BWV 1008, complete; Eva Lymenstull | Voices of Music 4K

The Suite in D Minor, complete, performed on an original baroque cello by Eva Lymenstull. Eva is the winner of the 2017 Voices of Music International Bach Competition. Prelude 0:00 Allemande 4:00 Courante 7:17 Sarabande 9:21 Menuet 13:30 Gigue 16:54 Ms. Lymenstull plays an original, anonymous English cello ca. 1730, restored by Guust Francois in Amsterdam. Baroque bow by Kees van Hemert, the Hague, the Netherlands. In his cello suites, Bach creates the perfect blend of five musical senses: individual expression, technique, counterpoint, rhythm and harmony; the music has been endlessly adapted and arranged, and every cellist studies these compositions at different points in their lives. Much has been written about the suites, yet little is known. It seems likely that the music was composed by Bach in his usual grouping of a set of six around the year 1720, when Bach was Kapellmeister at Köthen. The date is really just a guess, based partly on the style of the music as well as the fact that we *do* have a date—1720—for the autograph copy of the violin sonatas. We are fortunate indeed to have the copy of the music written down by Bach’s wife, Anna Magdalena, as well as an autograph version of one of the suites in an arrangement for lute in Bach’s own handwriting. According to legend, the suites were unknown until the cellist Pablo Casals discovered them in a thrift store in Barcelona at the age of thirteen; the legend does not explain how the music could be completely unknown even if it was readily available in several printed editions. As is the case with the Brandenburg concertos, highly embellished histories of many of Bach’s works appear in the 1930s coinciding with the marketing of recordings and concert tours; invariably, these stories take the form of a “rescue,” in which masterpieces are first overlooked and then saved from perpetual obscurity owing to an improbable series of events. Such stories have made good liner notes for decades: a more balanced view is that many of Bach’s works were continuously performed and studied after the composer’s death; for example, the Well Tempered Clavier influenced generations of composers. The performance history and transmission of manuscripts for the cello suites begins with one of Bach’s favorite students, the composer and organist Johann Christian Kittel; Kittel was devoted to Bach’s musical style and shared Bach’s works with his own students, including the virtuoso cellist and composer Johann Friedrich Dotzauer. The other major historical figure is one Johann Peter Kellner, who copied many of Bach’s works in the late 1720s. Anna Magdalena and Kellner provide the two contemporaneous sources for the suites that survive to the present day. Kittel’s student, Dotzauer, may have been working from one of these copies or a later copy when he began the study of the works, and by 1826 demand for the music of Bach as well as for works for the cello in general had grown to the point where the suites were published by Breitkopf & Härtel in 1826. Even though Dotzauer could trace his musical style directly back to Bach, by the 1820s—one hundred years after Bach composed the suites—performers were more interested in adapting the music to the style and taste of the time as opposed to recreating a performance from the time of Bach, and Dotzauer’s influential version had the effect of obscuring the two primary sources of the music until the 1960s. Tracing the “thrift store” copy, we see that Dotzauer’s version was most likely passed down to his student, Karl Dreschler, and thence to Dreschler’s student, Friedrich Wilhelm Grützmacher who “edited” the copy found by Casals, bringing the suites into the 20th century complete with a turgid layer of markings, additional chords, and ornamentation reminiscent of the silent movie era. In addition to being an outstanding cellist, Grützmacher arranged and re-arranged a number of important historical works including Boccherini’s Cello Concerto in B flat Major: Grützmacher’s work fits the pattern in which composers throughout the 19th century adapted the works of Bach, Handel, Boccherini and many others for contemporaneous audiences, often adding their own musical material. The Bach cello suites became a permanent part of the Early Music revival in the 1960s when the Musical Heritage Society contracted Nikolaus Harnoncourt to record the set. A decade after Harnoncourt, players began to perform the suites using historical techniques in earnest, with notable recordings by Anner Bylsma and Sigiswald Kuijken. Voices of Music will film all six suites using our innovative 4K, ultra-high definition video process. The videos will be part of our digital library and will be free for anyone to view, anywhere in the world. —David Tayler #Bach #CelloSuites #BachCompetition

Music

Bach, J. S. Bach, BWV 1008, Eva Lymenstull, Cello Suites, Bach Cello Suites, Bach Prelude, Mischa Maisky, bWyrxAZCOhA, David Tayler, Voices of Music, Lute Suites, Yo-Yo Ma, Jaap ter Linden, Violoncello da spalla, Bach Competition, Anner Bylsma, Silk Road, Hannibal Season 2, Mstislav Rostropovich, Pablo Casals, Christophe Coin, Nikolaus Harnoncourt, Cries and Whispers, Suite in D Minor, _NvZRo-3wvU, Netherlands Bach Society, All of Bach, Steuart Pincombe

Canon in D (Pachelbel's Canon) - Cello & Piano [BEST WEDDING VERSION]

🔔Subscribe and hit the bell to be notified of all videos! 🔔 SHEET MUSIC: http://bit.ly/BrooklynDuo SPOTIFY: http://spoti.fi/29trf2v iTUNES: http://apple.co/1NhATCd INSTAGRAM: http://instagram.com/brooklynduo FACEBOOK: http://www.facebook.com/BrooklynDuo TWITTER: https://twitter.com/brooklynduo Canon in D by Johann Pachelbel, arranged and performed by Brooklyn Duo. Get the sheet music here: http://bit.ly/BrooklynDuo. ❤️Please like and subscribe ❤️ SPECIAL THANKS to Earthworks Microphones for helping us make this shoot happen (and for making the best microphones!). Also, big thanks to Paul Jacobson from Avatar Productions and Pierre Rueda for their video expertise. Hi guys! Sorry for the long wait since our last video. We've been busy recording tons of new stuff and we're excited to share it all with you very soon! Some of you know that we occasionally play for weddings. As you can imagine, we get a LOT of requests for Canon in D, and we've discovered that there are NO good arrangements available anywhere for piano and cello! Hard to believe given its popularity. So we decided to make our own! We tried to stick as closely to the original as possible (which was written for three violins and basso continuo), and we performed it NOT at a snail's pace so the bride can actually make it down the aisle without putting everyone to sleep. 🙊(Yeah, we said it! Nobody likes a slow processional!) Also, the number one complaint about this piece from cellists is always how booooring it is to play because they literally have to play the same 8 bass notes over and over for the entire piece. Problem solved with this arrangement because the cello NEVER has to play the bass! 🙌(The piano does, but we get lots of other fun stuff too so it's ok!) So for all you musicians out there playing weddings, we hope you enjoy playing this arrangement a little more than the ones you were used to...You can get it from www.musicnotes.com. 😊Be sure to let us know in the comments if you do! Brooklyn Duo: Marnie Laird, piano Patrick Laird, cello SUBSCRIBE to our other channel, BROOKLYN CLASSICAL! http://bit.ly/1MVKVEl Brooklyn Duo uses Earthworks microphones. Patrick performs exclusively on Pirastro strings (http://www.pirastro.com). http://www.brooklynduo.com BROOKLYN DUO BIO: Founded in 2014, Brooklyn Duo has quickly established itself as one of today’s most successful classical crossover ensembles. Through its creative arrangements and live video performances, the piano and cello duo has garnered a huge following, with over 800,000 YouTube subscribers, and over 150 million streams annually on platforms such as Spotify and Pandora Radio. In 2014, on a whim, the couple arranged and recorded two pop covers and released them on YouTube. Amazingly, Shakira noticed the duo’s cover and promoted it to her 130 million-plus fan base, saying: “We're loving Brooklyn Duo's piano/cello cover of Empire! Great work guys." The boost that resulted from that exposure and the positive response they were getting on YouTube encouraged the couple to continue creating videos. (Other notable shout-outs since then include ones from Taylor Swift, a-ha and Pearl Jam.) Today, Marnie and Patrick have released over 100 videos on their Brooklyn Duo YouTube channel and 9 albums of covers, spanning artists from The Beatles to Metallica to Ariana Grande. In 2016, the couple started a second YouTube channel, Brooklyn Classical, with the goal of introducing classical music to a larger audience through high quality, live performances. Brooklyn Classical often hosts high-profile guest artists, including the world-renowned Dover and Escher string quartets, percussionist Ivan Trevino and cellist Cicely Parnas. In 2017, Marnie and Patrick partnered with Carnegie Hall and Ensemble Connect to produce a cover of a-ha’s “Take On Me”. The video went viral and garnered millions of views in just a few months. Popular classical music stations Classic FM and WQXR regularly share Brooklyn Duo’s music on their social media pages, with Classic FM calling the duo “masters of the artfully planned pop cover.” Their music has also been featured on several television shows, including Grey's Anatomy and Pretty Little Liars. #brooklynduo

Music

Canon In D, Pachelbel's Canon, Pachelbel, Johann Pachelbel, Cello, Piano, Violin, Brooklyn Duo, Brooklyn Classical, Strings, Viola, Orchestra, Classical, Classical Music, Wedding, Wedding music, string quartet, version, Ceremony, Ceremony Music, Here Comes the Bride, Marnie Laird, Patrick Laird, Bach, Best Version, Best, Original, Daniel Jang, Instrumental, Instrumental Music, Baby lullaby, Canon, The Piano Guys, Rockelbel's canon, 2cellos, professional musicians, TwoSetViolin, Processional

Beethoven - Symphony No. 9 (Proms 2012)

Prom 18: Beethoven Cycle -- Symphony No. 9, 'Choral' Symphony No. 9 in D minor, Op. 125 1 - Allegro ma non troppo, un poco maestoso 2 - Scherzo: Molto vivace -- Presto 3 - Adagio molto e cantabile -- Andante moderato -- Tempo primo -- Andante moderato -- Adagio -- Lo stesso tempo 4 - Recitative: (Presto -- Allegro ma non troppo -- Vivace -- Adagio cantabile -- Allegro assai -- Presto: O Freunde) -- Allegro molto assai: Freude, schöner Götterfunken -- Alla marcia -- Allegro assai vivace: Froh, wie seine Sonnen -- Andante maestoso: Seid umschlungen, Millionen! -- Adagio ma non troppo, ma divoto: Ihr, stürzt nieder -- Allegro energico, sempre ben marcato: (Freude, schöner Götterfunken -- Seid umschlungen, Millionen!) -- Allegro ma non tanto: Freude, Tochter aus Elysium! -- Prestissimo, Maestoso, Molto Prestissimo: Seid umschlungen, Millionen! Anna Samuil soprano Waltraud Meier mezzo-soprano Michael König tenor René Pape bass National Youth Choir of Great Britain West-Eastern Divan Orchestra Daniel Barenboim, conductor Royal Albert Hall, 27 July 2012

Music

Ludwig, van, Beethoven, Ninth, Symphony, Choral, Daniel, Barenboim, BBC, Proms, 2012

Air on the G String (Suite No. 3, BWV 1068) J. S. Bach, original instruments

Hey everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.html and we will make more videos like this one :) The second movement, Aria, from Bach's orchestral suite in D Major, BWV 1068, performed on original instruments from the time of Bach by the Early Music ensemble Voices of Music. You can purchase our recording of this track on the "Evening with Bach" CD on iTunes, Amazon and Magnatune http://goo.gl/WHXW5Y Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :) Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC Voices of Music Hanneke van Proosdij & David Tayler, directors The musicians and their instruments Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754 Maxine Nemerovski, baroque violin by Timothy Johnson, Indiana, 1999 (after Stradivarius) Elizabeth Blumenstock, baroque violin by Andrea Guarneri, Cremona, 1660 Kati Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, 1791 Lisa Grodin, baroque viola by Mathias Eberl, Salzburg, Austria, 1680 William Skeen, five string baroque cello, Anonymous, Italy, c1680 Farley Pearce, violone by George Steppani, Manchester, 1985, after Amati, 1560 David Tayler, archlute by Andreas von Holst, Munich, 2012 after Magno Tieffenbrucker, Venice, c1610 Hanneke van Proosdij, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century northern German instruments #Bach #AirontheGString

Music

Air On The G String (Composition), Orchestral Suites (Composition), Suite (Composition Type), Violin, Original, Classical, BWV 1068, Bach, J.S. Bach, J. S. Bach, Voices of Music, Carla Moore, Elizabeth Blumenstock, David Tayler, William Skeen, Hanneke van Proosdij, BioShock Infinite (Video Game), Bioshock, Koopman, Parrot, Rifkin, organ, baroque violin, Amsterdam Baroque Orchestra, Orchestral Suite No. 3 In D Major (Composition), Johann Sebastian Bach (Composer), Air on a G String

Vivaldi Four Seasons: "Winter" (L'Inverno), complete; Cynthia Freivogel, Voices of Music 4K RV 297

Music

J.S. Bach: Violin Concerto in A Minor BWV 1041; Carla Moore & Voices of Music , Allegro 4K UHD

Hey everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.html and we will make more videos like this one :) The opening movement of Bach's concerto for violin, strings and continuo BWV 1041, performed on original instruments by the San Francisco Early Music ensemble Voices of Music, with soloist Carla Moore. Live, 4K video from the Bach, Biber & Buxtehude concert, March, 2013. Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both  Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC Bach's concerto presents a composer who can balance a variety of interrelated themes while still maintaining the basic framework of the concerto form, fashioning traditional ritornellos and episodes with tightly-knit motives. The parallel development of the thematic material foreshadows elements of the Classical Sonata form which would be further developed by C.P.E. Bach and other composers. Hey everyone~! Please consider a donation, http://www.voicesofmusic.org/donate.html and we will make more videos like this one :) We need your help! Voices of Music Hanneke van Proosdij & David Tayler, directors The musicians and their instruments Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754 Maxine Nemerovski, baroque violin by Timothy Johnson, Indiana, 1999 (after Stradivarius) Elizabeth Blumenstock, baroque violin by Andrea Guarneri, Cremona, 1660 (courtesy Philharmonia Baroque Orchestra Period Instrument Trust) Kati Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, 1791 Lisa Grodin, baroque viola by Mathias Eberl, Salzburg, Austria, 1680 William Skeen, five string baroque cello, Anonymous, Italy, c1680 Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560 David Tayler, archlute by Andreas von Holst, Munich, 2012 after Magno Tieffenbrucker, Venice, c1610 Hanneke van Proosdij, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th century northern German instruments visit us on the web at www.voicesofmusic.org

Music

Johann Sebastian Bach (Composer), Violin Concerto In A Minor (Composition), Violin Concerto In A Minor BWV 1041 (Musical Recording), Carla Moore, Violin Concerto (Composition Type), Violin (Musical Instrument), Sonata Form (Literature Subject), Baroque Violin (Musical Instrument), Voices of Music, Hanneke van Proosdij, David Tayler, Violin Concerto (Composition), Julia Fischer (Musical Artist), Nigel Kennedy (Musical Artist), David Oistrakh (Musical Artist)

Vivaldi: Recorder Concerto in C Major RV 443 (flautino); Hanneke van Proosdij & Voices of Music 4K

The opening allegro from Vivaldi's recorder concerto in C Major, RV 443; Hanneke van Proosdij, sopranino recorder. Live, 4K UHD video from the Berkeley Early Music Festival, June 2016. Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :) Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC Every two years, the San Francisco Early Music Society presents some of the finest ensembles in the world at the Berkeley Early Music Festival; we hope you enjoy this work from the "Art of the Baroque Violin" concert with Rachel Podger. Voices of Music Hanneke van Proosdij & David Tayler, directors Hanneke van Proosdij, sopranino recorder by Alec Loretto, Auckland, 2001, after Stanesby Jr., London, c1725 Rachel Podger, baroque violin by Pesarinius, Genoa, 1739 Elizabeth Blumenstock, baroque violin by Andrea Guarneri, Cremona, 1660 Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754 Kati Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, 1791 Lisa Grodin, baroque viola by Mathias Eberl, Salzburg, Austria, 1680 William Skeen, five string baroque cello, Anonymous, Italy, c1680 Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560 Katherine Heater, Italian single manual harpsichord by Johannes Klinkhamer, Amsterdam, 2000, after Cristofori, Florence, c1725 David Tayler, archlute by Andreas von Holst, Munich, 2010. The sprightly concerto RV 443 for sopranino recorder (titled flautino—a little recorder) finds Vivaldi in a balanced frame of compositional mind: phrases are neatly turned, the slow movement is fluid and expressive, and the extraordinarily passagework is ever so slightly tempered by the harmonic and contrapuntal framework; that is, the technical demands rarely cross the lines of taste into the realm of pure display. A rubric on the manuscript reads “Gl’istromti trasportati alla 4a” (the instruments transposed a fourth) which has led some scholars to believe that the entire work should be played a fourth lower. As with many cryptic comments on manuscripts, more questions are inevitably raised than answered: if Vivaldi had desired a transposition, it would have been much more practical—and easier—to have written the recorder part in a transposing key and the string parts at sounding pitch. In addition, if the string parts are transposed down a fourth, the cello part goes below the range of the instrument, and the overall ambitus of the music lies in a muddy acoustical range. A musician of Vivaldi's time would have found the turgid discussions of transposition highly amusing and presumably would have said: "Why not play it in the key that sounds best with the instruments at hand?" As written, the concerto is bright, convincing and clear.

Music

Antonio Vivaldi, Hanneke van Proosdij, Voices of Music, Recorder Concerto, Dan Laurin, Anna Fusek, RV 443, Il Giardino Armonico, Giovanni Antonini, Piccolo Concerto, Vivaldi Piccolo Concerto, Vivaldi Flute Concerto, David Tayler, Michala Petri, Sopranino Recorder, Marion Verbruggen, Nicholas McGegan, Philharmonia Baroque Orchestra, Rachel Podger, Vivaldi Recorder Concerto

Bach: Brandenburg Concerto No. 3 in G Major, BWV 1048: Complete 4K UHD; Voices of Music

Hey everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.html and we will make more videos like this one :) For the first time in 4K Ultra High Definition video, Bach's Brandenburg Concerto No. 3 in G Major (BWV 1048), complete, performed on original instruments by the Early Music ensemble Voices of Music. I. (Allegro) 0:00 II. Adagio 5:34 III. Allegro 5:45 Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. In March of 1721, Johann Sebastian Bach carefully inked six of his best concertos into a book for the Margrave of Brandenburg, Christian Ludwig. The original title, "Six Concerts à plusieurs instruments" is now known as the "Brandenburg" Concertos in English or "Brandenburgische Konzerte" in German. These six concertos represent the summa of chamber music in the high baroque period, and the third concerto (BWV 1048) is noted for its rich texture of three violins, three violas and three cellos, with a continuo part for the harpsichord and violone. The original title is as follows: "Concerto 3zo [terzo] a tre Violini, tre Viole, è tre Violoncelli col Basso per il Cembalo". On the continuo part, Bach has written "Violone & Cembalo", and this is how it is performed in the video, just as it is indicated in the original manuscript. This concerto is part of the Voices of Music Great Works project. A Creative Commons edition of the score, based on the composer's manuscript, will be published to accompany the complete recording, and the recording will be available worldwide on Blu-Ray and CD, and for free on MP3 and high-definition, 24 bit FLAC files. Voices of Music Hanneke van Proosdij & David Tayler, directors #Bach #BrandenburgConcerto

Music

4K Resolution, Johann Sebastian Bach (Composer), Brandenburg Concertos (Composition), BWV 1048, Brandenburg Concerto No. 3, Voices of Music, Freiburger Barockorchester (Musical Group), Brandenburg Concerto No. 3 in G Major BWV 1048, Boxing Helena (Award-Winning Work), Moll Flanders (Book), Brandenburg Concerto No.3 In G Major, Johann Sebastian Bach (Artist), Johann Sebastian Bach, 4K UHD, Apollo's Fire, 4K, Freiburg Baroque, Brandenburg 3, J.S. Bach, brandenburg concertos

Bach: Brandenburg Concerto No. 4 in G Major BWV 1049, complete; Voices of Music 4K UHD

Hi everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.... and we will make more videos like this one :) The world premiere of J. S. Bach's Brandenburg Concerto No. 4, performed on original instruments. Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both  Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC Carla Moore, baroque violin solo; Hanneke van Proosdij & Andrew Levy, recorders & echo flutes. Performance and 4K UHD Video by the Early Music ensemble Voices of Music. In March of 1721, Johann Sebastian Bach carefully inked six of his best concertos into a book for the Margrave of Brandenburg, Christian Ludwig. The original title, "Six Concerts à plusieurs instruments" is now known as the "Brandenburg" Concertos in English or "Brandenburgische Konzerte" in German. These six concertos represent the summa of chamber music in the high baroque period: for the fourth concerto (BWV 1049), Bach chose the unique and imaginative texture of baroque violin and “echo flutes” (a type of baroque recorder) for his soloists. In his autograph manuscript of Brandenburg 4 (BWV 1049), Bach writes the title as follows: "Concerto 4to à Violino Principale, due Fiauti d'Echo, due Violini, una Viola è Violone in Ripieno, Violoncello è Continuo." For our video, we use the “echo flutes” for the slow movement, then break them apart for the first and third movements. The outside movements feature exceptionally virtuosic writing for the violin, with extended passagework spanning the entire range of the instrument. For his fourth concerto in the set of Brandenburgs, Bach is especially careful with the orchestration: this creates space for the recorder sound to breathe; in addition, his compositional style flows with sparkle and wit. The fourth Brandenburg concerto is unusual in that Bach specifically calls for "echo flutes", or "fiauti d'echo". For many years musicologists have debated what an "echo flute" exactly is, and have also uncovered a great deal of historical detail, but the work is usually performed with two alto recorders. YouTube now has a limit on the length of the description text; more information about the echo flutes and this recording here: http://voicesofmusic.org/BB4Notes.pdf #Bach #BrandenburgConcerto

Music

Johann Sebastian Bach (Composer), Brandenburg Concerto No. 4 (Musical Recording), 4K Resolution, Brandenburg Concerto No. 4 In G Major (Composition), Voices of Music, Hanneke van Proosdij, Freiburger Barockorchester (Musical Group), Carla Moore, echo flute, Fiauti d'echo, Samuel Pepys (Author), Cruel Intentions (Film), Slaughterhouse-Five (Award-Winning Work), The English Concert (Musical Group), Civilization IV (Video Game), Brandenburg 4, https://youtu.be/G6hQvvhqfJo

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